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Images of the Medieval Peasant (Figurae: Reading Medieval Culture), by Paul Freedman
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The medieval clergy, aristocracy, and commercial classes tended to regard peasants as objects of contempt and derision. In religious writings, satires, sermons, chronicles, and artistic representations peasants often appeared as dirty, foolish, dishonest, even as subhuman or bestial. Their lowliness was commonly regarded as a natural corollary of the drudgery of their agricultural toil.
Yet, at the same time, the peasantry was not viewed as other” in the manner of other condemned groups, such as Jews, lepers, Muslims, or the imagined monstrous races” of the East. Several crucial characteristics of the peasantry rendered it less clearly alien from the elite perspective: peasants were not a minority, their work in the fields nourished all other social orders, and, most important, they were Christians. In other respects, peasants could be regarded as meritorious by virtue of their simple life, productive work, and unjust suffering at the hands of their exploitive social superiors. Their unrewarded sacrifice and piety were also sometimes thought to place them closest to God and more likely to win salvation.
This book examines these conflicting images of peasants from the post-Carolingian period to the German Peasants’ War. It relates the representation of peasants to debates about how society should be organized (specifically, to how human equality at Creation led to subordination), how slavery and serfdom could be assailed or defended, and how peasants themselves structured and justified their demands.
Though it was argued that peasants were legitimately subjugated by reason of nature or some primordial curse (such as that of Noah against his son Ham), there was also considerable unease about how the exploitation of those who were not completely alienwho were, after all, Christianscould be explained. Laments over peasant suffering as expressed in the literature might have a stylized quality, but this book shows how they were appropriated and shaped by peasants themselves, especially in the large-scale rebellions that characterized the late Middle Ages.
- Sales Rank: #256563 in Books
- Brand: Brand: Stanford University Press
- Published on: 1999-01-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.20" w x 6.00" l, 1.52 pounds
- Binding: Paperback
- 484 pages
- Used Book in Good Condition
Review
"Freedman's command of material drawn from all over Europe is impressive and anyone interested in the medieval or early modern German peasantry will profit greatly from reading this book."—Central European History
From the Inside Flap
The medieval clergy, aristocracy, and commercial classes tended to regard peasants as objects of contempt and derision. In religious writings, satires, sermons, chronicles, and artistic representations peasants often appeared as dirty, foolish, dishonest, even as subhuman or bestial. Their lowliness was commonly regarded as a natural corollary of the drudgery of their agricultural toil.
Yet, at the same time, the peasantry was not viewed as “other” in the manner of other condemned groups, such as Jews, lepers, Muslims, or the imagined “monstrous races” of the East. Several crucial characteristics of the peasantry rendered it less clearly alien from the elite perspective: peasants were not a minority, their work in the fields nourished all other social orders, and, most important, they were Christians. In other respects, peasants could be regarded as meritorious by virtue of their simple life, productive work, and unjust suffering at the hands of their exploitive social superiors. Their unrewarded sacrifice and piety were also sometimes thought to place them closest to God and more likely to win salvation.
This book examines these conflicting images of peasants from the post-Carolingian period to the German Peasants’ War. It relates the representation of peasants to debates about how society should be organized (specifically, to how human equality at Creation led to subordination), how slavery and serfdom could be assailed or defended, and how peasants themselves structured and justified their demands.
Though it was argued that peasants were legitimately subjugated by reason of nature or some primordial curse (such as that of Noah against his son Ham), there was also considerable unease about how the exploitation of those who were not completely alien—who were, after all, Christians—could be explained. Laments over peasant suffering as expressed in the literature might have a stylized quality, but this book shows how they were appropriated and shaped by peasants themselves, especially in the large-scale rebellions that characterized the late Middle Ages.
From the Back Cover
“Freedman’s command of material drawn from all over Europe is impressive and anyone interested in the medieval or early modern German peasantry will profit greatly from reading this book.”—Central European History
Most helpful customer reviews
13 of 13 people found the following review helpful.
An Eminently Readable Scholarly Monograph
By Helena Napier
Freedman's "Images of the Medieval Peasant" has a virtue truly uncommon to modern scholarly publications. A pleasure to read, and yet rigorous enough to use even in my graduate courses as an example of social history writ large, this volume appeals across varying academic readerly spectra--including non-specialists and undergraduates. Freedman's prose is lucid and engaging, with a flair for the literary that suits his topic well. Particularly outstanding are the chapters in which he treats Biblical justifications for peasant oppression, and I would not hesitate to assign these chapters as stand alone reading in my undergraduate lecture, given that the purchase price of the book is relatively affordable.
The accompanying bibliography, though dated slightly by the book's 1999 release, is still very much a useful source. The copious endnotes, too, serve as excellent jumping-off points for further research. The author's use of art historical material is admirably broad, and serves to compliment his arguments nicely. Essential reading is the text of Freedman's introduction and conclusion, which eloquently bookends the volume with a sense of purpose and overriding structure.
For specialists, a fundamental monograph worth owning, and for the casual reader, a rewarding challenge, "Images of the Medieval Peasant" occupies a well-earned place on even the most crowded of office shelves.
0 of 0 people found the following review helpful.
Four Stars
By Lothringen
A good scholarly book on the subject, not suitable for the general public.
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