Minggu, 29 Maret 2015

@ PDF Ebook Frontiers of Commodity Chain ResearchFrom Stanford University Press

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Frontiers of Commodity Chain ResearchFrom Stanford University Press

Extending the frontiers of commodity chain research, this distinctive volume includes original work from major figures in sociology, history, geography, and labor studies. It underscores the wide and interdisciplinary appeal of chain approaches for analyzing the economic, social, and political dimensions of international trade and production networks.

Commodity chain analysis sheds light on the political and ecological implications of economic globalization and on how activists in pursuit of social justice, workers' rights, and environmental protection can use it. Following a substantive review of literature in the field, the collection goes on to examine theoretical and methodological debates over how to conduct research on global commodity and value chains, how power is exercised through these chains, and how global economic activities are coordinated across space. The result is a rich and unusually coherent volume that demonstrates how commodity and value chain analysis is informing contemporary research in a variety of fields.

  • Sales Rank: #1837902 in Books
  • Published on: 2008-10-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .70" w x 6.00" l, .85 pounds
  • Binding: Paperback
  • 296 pages

Review
"Jennifer Bair has brought together a very stimulating collection of theoretical and empirical essays on this highly important approach for understanding the immense changes occurring in the global economy. This should be a key book for researchers and policy-makers alike."—Peter Dicken, University of Manchester

"This exciting collection moves the decade-old commodity chain research into new frontiers and insights. The masterful introduction is followed by multifaceted explorations of old and vital new areas of the global economy, from produce to electronics. The contributions are as theoretically exciting as the implications are doleful."—Charles Perrow, Yale University

"[T]he book laudably represents the broad specter of research questions that can be asked and answered through chain-inspired thinking—a tribute to the free use of the chain construct with no disciplinary imperialism attached."—Niels Fold, Economic Geography

About the Author
Jennifer Bair is Assistant Professor of Sociology at the University of Colorado at Boulder.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Excellent Review of Commodity Chain Literature, and More
By Chrissy G
I am very excited about this book. It pertains directly to my current research, and lays out several (one by Bair, one by Sturgeon, and one by Gereffi) histories (geneologies, if you will), of Global Commodity [Value?] Chain literature. All of the contributions to this work are pertinent, and really do stand on the cutting edge of GCC/GVC research. I would recommend this book to anyone interested in learning more about global commodity chain research and theory.

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Sabtu, 28 Maret 2015

# Download War and Revolution in Yugoslavia, 1941-1945: Occupation and Collaboration, by Jozo Tomasevich

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War and Revolution in Yugoslavia, 1941-1945: Occupation and Collaboration, by Jozo Tomasevich

This is the long-awaited second part of the author’s meticulously researched and scrupulously impartial study of the complicated and anguished history of Yugoslavia during the years of World War II. The previous volume dealt with the Chetniks, the resistance movement formed by officers of the defeated Yugoslav army who came to regard the Communist-led Partisans as their chief enemy, and who reached accords with the occupying powers—first with the Italians and then with the Germans. The present volume deals with the rule of the Axis powers in occupied Yugoslavia, along with the role of the other groups that collaborated with them—primarily the extremist Croatian nationalist organization known as the Ustashas.

The book begins by briefly describing the establishment of Yugoslavia in 1918 and its internal history during the interwar period. It then discusses the breakup of the state in April 1941, the annexation or occupation of parts of its territory by its neighbors, and the establishment by the Ustashas of the independent state of Croatia as a German-Italian quasi protectorate, focusing on its governmental policies and its problems with the Bosnian Muslims. The book also examines the role of religion during the occupation, the destruction of the Yugoslav Jewish community, and the economic exploitation of Yugoslav territory by the Axis powers. The work concludes by discussing the wartime population losses of the country and the ultimate fate of the collaborationist forces.

  • Sales Rank: #1683674 in Books
  • Published on: 2002-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.22" h x 2.06" w x 7.44" l, 3.61 pounds
  • Binding: Hardcover
  • 864 pages

Review
"This is a magnificent work of superb scholarship. No other book in any language so clearly presents and analyzes the aims and policies of the Axis in occupied Yugoslavia, as well as those of the various collaborators. . . . The need for such a book is greater than ever, as controversies over the past rage in the post-Yugoslav states."—Ivo Banac, Yale University

"There is plenty of significance in this truly monumental work of scholarship. Tomasevich's exhaustive mining of German and Italian government documents opens a fascinating window on the wartime exploitation of Yugoslavia's economic and human resources."—Choice

"The present work is the long-awaited sequel to [Tomasevich's] equally monumental War and Revolution in Yugoslavia, 1941-1945: The Chetniks. . . . War and Revolution in Yugoslavia, 1941-1945: Occupation and Collaboration aims at an academic audience, but it would be valuable to anyone interested in understanding the Yugoslav past and present. It is a must for any college library and desirable for larger public ones."—History: Reviews of New Books

"All the distinguishing features Tomasevich showed in writing the first volume are also expressed in this book, which describes how the occupying forces ruled some parts of Yugoslavia, and how their collaborators adapted under such circumstances. . . . This book, together with its predecessor, is an invaluable foundation that no new research into World War II on the territory of former Yugoslavia will be able to bypass. It promises to remain for a long time to come."—American Historical Review

"War and Revolution in Yugoslaia, 1941-1945 will almost certainly be considered the definitive work on the . . . .controversial topic of occupation and collaboration regimes in wartime Yugoslavia . . . .Tomasevich covered in meticulous and awe-inspiring detail the activities and experiences of those parts of Yugoslavia occupied by or in active collaboration with the various axis regimes during te Second World War . . . .What Tomasevich has done is certainly deserving of our highest praise. This volume, like his first, is an indispensable addition in the library of every serious scholar of Yugoslavia or the Second World War."—Canadian Slavonic Papers
"One cannot fail to be impressed by the remarkable command of research materials demonstrated throughout this study. . . . Tomasevich never shirks the need to tackle honestly the most sensitive and contentious areas of historical debate, and in this respect he has done a particular service to scholarship through his meticulous and balanced attempts to marshal the available evidence concerning Yugoslavia's losses between 1941 and 1945."—Slavic Review
"The scholarly standard achieved by Jozo Tomasevich in his two volumes of "War and Revolution in Yugoslavia" and the thought of what he would have made of volume three of the series make his death a tragedy keenly felt even by those who never knew him."—Klaus Schmider, Royal Military Academy Sandhurst
"There is much to praise about Tomasevich's contribution. His ability to make exhaustive use of the military and diplomatic archives of the major forces involved in this region is no small feat, considering the variety of languages required and the way in which these archives have been dispersed and destroyed. He offers the fullest and most objective account available of the activities of the occupiers and collaborators, together with an extensive account of the economic consequences of the occupation...—Eric Gordy, Clark University
"Tomasevich succeeds again, in his final major work, in making solidly supported and reasonable claims in an environment that has long been defined by the instrumentalization and manipulation of historical claims. He restores faith in the enterprise of history by reviving a long-absent figure—the modest professional researcher hard at work."—Eric Gordy, Clark University

From the Inside Flap
This is the long-awaited second part of the author’s meticulously researched and scrupulously impartial study of the complicated and anguished history of Yugoslavia during the years of World War II. The previous volume dealt with the Chetniks, the resistance movement formed by officers of the defeated Yugoslav army who came to regard the Communist-led Partisans as their chief enemy, and who reached accords with the occupying powers—first with the Italians and then with the Germans. The present volume deals with the rule of the Axis powers in occupied Yugoslavia, along with the role of the other groups that collaborated with them—primarily the extremist Croatian nationalist organization known as the Ustashas.
The book begins by briefly describing the establishment of Yugoslavia in 1918 and its internal history during the interwar period. It then discusses the breakup of the state in April 1941, the annexation or occupation of parts of its territory by its neighbors, and the establishment by the Ustashas of the independent state of Croatia as a German-Italian quasi protectorate, focusing on its governmental policies and its problems with the Bosnian Muslims. The book also examines the role of religion during the occupation, the destruction of the Yugoslav Jewish community, and the economic exploitation of Yugoslav territory by the Axis powers. The work concludes by discussing the wartime population losses of the country and the ultimate fate of the collaborationist forces.

From the Back Cover
“This is a magnificent work of superb scholarship. No other book in any language so clearly presents and analyzes the aims and policies of the Axis in occupied Yugoslavia, as well as those of the various collaborators. . . . The need for such a book is greater than ever, as controversies over the past rage in the post-Yugoslav states.”—Ivo Banac, Yale University
“There is plenty of significance in this truly monumental work of scholarship. Tomasevich’s exhaustive mining of German and Italian government documents opens a fascinating window on the wartime exploitation of Yugoslavia’s economic and human resources.”—Choice

Most helpful customer reviews

14 of 15 people found the following review helpful.
An essential reference work on WWII Yugoslavia
By California soccer fan
Tomasevich did a phenomenal job on a daunting subject: the political and economic history of Yugoslavia during the Second World War, focusing on Slovenia, Croatia, and Bosnia-Herzegovina. This massive book will be especially valuable for the chapters on economic activity in the Axis-occupied Independent State of Croatia from 1941 to 1945, material that has rarely been presented in English in such detail (over a hundred pages in the two chapters on this subject). The sections on the many religious groups of Yugoslavia are likewise comprehensive, with a great deal of new information. The bibliography is in itself a triumph of thoroughness.
What makes the book not only useful but remarkable is the author's story of how he conducted his research, interviewing contentious sources and wading through the conflicting evidence on controversial topics such as the numbers of people murdered by the several parties to the conflict (Nazis, Italian Fascists, Ustase, Chetniks, Partisans). His analysis is masterful and sensible.
My only complaint is the book's high price. I can only hope that there will be a paperback edition, as this work is too significant to go out of print.

3 of 3 people found the following review helpful.
Most comprehensive account of topic
By Brandon Wilkening
The Yugoslav front during WWII (and the same probably applies to the war in southeastern Europe in general) is a relatively understudied subject. The author points out near the end that, after the Polish and Soviet fronts, it was the bloodiest theater of war in Europe. Tomasevich has provided the most comprehensive account of the topic in his multi-volume study; this book focuses on the regimes that collaborated with the German and Italian occupiers, his first work looked at the Chekist movement that arose in Belgrade, while a third book that was planning to analyze the Partisans was unfortunately not completed before the author's death.

This book is nearly 800 dense pages, and examines nearly every aspect of the collaborationist regimes. The bulk of the focus is on the Ustasha regime in Croatia, but there are also chapters on the collaborationist administrations in Serbia, Macedonia, Slovenia, and Montenegro. Regarding the Ustasha regime, there are separate chapters on the movement's rise to power, their relations with the occupying powers, the atrocities committed against civilians on Croatian territory, the (sometimes nefarious) role of religious institutions during the war, and economic exploitation by the occupying powers. There is also a separate chapter on the destruction of Yugoslav Jews, as well as a couple of historical background chapters in the beginning. Throughout the entire book he provides copious, detailed footnotes, some of which are as interesting in their own right as the main text.

One interesting thread that runs through the book, and to which Tomasevich devotes a chapter near the end, is the role of nationalist historiography. Partisans on every side have had a tendency to exaggerate the atrocities committed against members of their own national group while downplaying excesses committed by their own forces. Tomasevich does an admirable job parsing through the biased accounts and providing objective estimates of the number of casualties on all sides. In my opinion, despite his own ties to the region Tomasevich does not display any overt bias towards any of the participants in this tragic tale: he is willing to place blame on all actors who deserve it, but not afraid to point out when one side deserves more blame than the other.

This is not a quick read, and not only because of the length. This is not a critique of the author's writing style, which is excellent, but a realization that this is very much a straightforward, by the numbers historical account. One thing that is lacking is any first-hand accounts of the various tragedies that are discussed, via diaries, memoirs, witness testimony, etc. I can certainly understand this omission: this book is nearly 800 pages (not including the bibliography), he wrote another long book about the Chekists, and was in the process of writing a third book about the Partisans. It would have simply been too overwhelming to include such accounts. But it does mean that many atrocities are related in a somewhat clinical fashion, and it is hard to get a feel for the human dimension of life during the period.

Overall, Tomasevich's work is probably the place to start for those seeking a factual account of Yugoslavia during WWII.

6 of 7 people found the following review helpful.
A necessary volume for the WWII historian
By Joseph Wayne Heckert
If the researcher is seeking one book that presents wartime Yugoslavia completely and objectively, this is it. Tomasevich clarifies a complex subject which is frequently one of the least understood aspects of WWII. The book also lays the groundwork for an understanding of post-war unfinished business which continues to plague the region. A necessary component to any library on the Balkans.

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Jumat, 27 Maret 2015

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Protest and Possibilities: Civil Society and Coalitions for Political Change in Malaysia (Contemporary Issues in Asia and Pacific), by Mer

Protest and Possibilities explores the pursuit of political reform in Malaysia, an illiberal democracy, and contrasts coalition-building and reform processes there with those of electoral authoritarian Indonesia. The study considers the roles of civil society agents (CSAs) in promoting alternative (especially noncommunal) political norms and helping to find common ground among opposition political actors, and compares recent reformist initiatives with past political trajectories. The nature of illiberal democracy encourages a combination of contained and transgressive contention, with CSAs and political parties performing distinct but complementary roles. Enough space has been allowed over time for CSAs and political parties to accumulate coalitional capital, or the mutual trust and understanding necessary for groups to find common cause and work in coalition. In addition, shifts in political opportunities and threats encourage both CSAs and political parties to alter their strategies and thinking to take advantage of windows for change, facilitating long-term normative as well as institutional change.

  • Sales Rank: #3258870 in Books
  • Brand: Brand: Stanford University Press
  • Published on: 2005-11-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .90" w x 6.00" l, 1.02 pounds
  • Binding: Paperback
  • 344 pages
Features
  • Used Book in Good Condition

Review
"Weiss... looks with fresh eyes, uses new analytical tools, and makes this book an important read for both area studies students and political theorists."CHOICE

"By comparing the "illiberal" democracies of Malaysia and Indonesia, Weiss sheds light on the significance of specific state structures to the types of coalitions, agendas, and institutional and normative reforms that emerge."—Reference & Research Book News

From the Inside Flap
Protest and Possibilities explores the pursuit of political reform in Malaysia, an illiberal democracy, and contrasts coalition-building and reform processes there with those of electoral authoritarian Indonesia. The study considers the roles of civil society agents (CSAs) in promoting alternative (especially noncommunal) political norms and helping to find common ground among opposition political actors, and compares recent reformist initiatives with past political trajectories. The nature of illiberal democracy encourages a combination of contained and transgressive contention, with CSAs and political parties performing distinct but complementary roles. Enough space has been allowed over time for CSAs and political parties to accumulate coalitional capital, or the mutual trust and understanding necessary for groups to find common cause and work in coalition. In addition, shifts in political opportunities and threats encourage both CSAs and political parties to alter their strategies and thinking to take advantage of windows for change, facilitating long-term normative as well as institutional change.

From the Back Cover
"By comparing the "illiberal" democracies of Malaysia and Indonesia, [Weiss] sheds light on the significance of specific state structures to the types of coalitions, agendas, and institutional and normative reforms that emerge."—Reference & Research Book News

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The Material Image: Art and the Real in Film (Cultural Memory in the Present), by Brigitte Peucker

Focusing on intermediality, The Material Image situates film within questions of representation familiar from the other arts: What is meant by figuring the real? How is the real suggested by visual metaphors, and what is its relation to illusion? How is the spectator figured as entering the text, and how does the image enter our world? The film's spectator is integral to these concerns. Cognitive and phenomenological approaches to perception alike claim that spectatorial affect is "real" even when it is film that produces it.

Central to the staging of intermediality in film, tableaux moments in film also figure prominently in the book. Films by Scorsese, Greenaway, Wenders, and Kubrick are seen to address painterly, photographic, and digital images in relation to effects of the real. Hitchcock's films are examined with regard to modernist and realist effects in painting. Chapters on Fassbinder and Haneke analyze the significance of tableau for the body in pain, while a final chapter on horror film explores the literalism of psychopathic tableau. Here, too, art and the body—images and the real—are juxtaposed and entwined in a set of relations.

  • Sales Rank: #3158142 in Books
  • Brand: Brand: Stanford University Press
  • Published on: 2006-11-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .60" w x 6.00" l, .80 pounds
  • Binding: Paperback
  • 272 pages
Features
  • Used Book in Good Condition

Review
"In short, great writing and great reading, whose impact should not remain confined to the sole field of film studies, but considered very carefully by all those who, in literary theory for instance, want to better understand why and how texts matter."—Leonardo

From the Inside Flap
Focusing on intermediality, The Material Image situates film within questions of representation familiar from the other arts: What is meant by figuring the real? How is the real suggested by visual metaphors, and what is its relation to illusion? How is the spectator figured as entering the text, and how does the image enter our world? The film’s spectator is integral to these concerns. Cognitive and phenomenological approaches to perception alike claim that spectatorial affect is “real” even when it is film that produces it.
Central to the staging of intermediality in film, tableaux moments in film also figure prominently in the book. Films by Scorsese, Greenaway, Wenders, and Kubrick are seen to address painterly, photographic, and digital images in relation to effects of the real. Hitchcock’s films are examined with regard to modernist and realist effects in painting. Chapters on Fassbinder and Haneke analyze the significance of tableau for the body in pain, while a final chapter on horror film explores the literalism of psychopathic tableau. Here, too, art and the body—images and the real—are juxtaposed and entwined in a set of relations.

About the Author
Brigitte Peucker is Elias Leavenworth Professor of German and Professor of Film Studies at Yale University. She is author of Incorporating Images: Film and the Rival Arts (1995) and Lyric Descent in the German Romantic Tradition (1998)

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3 of 4 people found the following review helpful.
Where the static art object meets the moving reel
By Ivy Kleinbart
The Material Image is concerned with cinematic adaptations of two-dimensional art images, ranging from tableaux vivant to painting, photography, and even literary images, and their impact on narrative and spectator response. When these two-dimensional forms are introduced into the temporally active space of moving pictures, the result is a more complicated visual representation that invites increased spectatorial awareness of the filmic image as a constructed representation rather than as a "true" reflection of reality. The two-dimensional image either textures the narrative, increasing symbolism and visual depth at the moment of representation, or stultifies the narrative, rupturing the illusion of the film text as reality. Peucker also discusses moments of "collapse of the image with the real" (192) that seem implicitly to follow from tromp l'oeil painting, such as when actors break the imaginary fourth wall of the set to address the audience directly, or when the image becomes so compelling that the spectator is somatically affected by it.

Peucker begins with a chapter on the aestheticization of surfaces (drawing from the visual theories of Bazin and Kracauer discussed in her introduction), and quickly moves into subsequent discussions on the role of visual signification in narrative film and its ability to represent reality intertextually by displaying still and moving images, sound, and writing on the screen. Later chapters focus on methods of using static images either to create distance or to draw the viewer into the film, classical and counter- cinematic techniques of representing space and the body, and the visceral impact of layered, fragmented, and mediated film images. While Peucker investigates film's capacity to excite both visceral and cognitive responses from its audience, ultimately her concerns gravitate toward the body as the site of reception for cinematic images that represent violence, the erotic, and the abject.

My favorite chapters were the ones on Hitchcock, Kubrick, and Haneke. In her readings of Hitchcock's films, she explores the relationship between two-dimensional art and death (death as the body's collapse into the world of stasis). She studies Hitchcock's preoccupations with still-life images and surrealism, bodily fragmentation, taxidermy, doubling, the use and placement of mirrors, characters' gazes both within and out of the filmic frame, and the self-reflexive inclusion of cameras in his films. Her second chapter on Hitchcock further explores the impact of characters' gazes into off-screen space, effecting the interpellation of the spectator and causing a figurative collapse between the image and the real.

In her reading of Kubrick's The Shining, Peucker observes the relationship between the hotel's photographs or figurative memory, and the return of the repressed elicited by the family's isolation within the disturbed psyche of the eerily expansive hotel. The space of realism within the film text begins to dissolve into the realm of the phantasmagoric as Jack's experiences collide with his imagination of the hotel's former "life." The still photographs of wild hotel parties from an earlier part of the century seem primed to burst into animation again, but with the emergence of festivity comes violence. Peucker remarks on the juxtaposition between the static photographs and the uncanny materiality of this violence, between Jack's deranged facial expressions and his later frozen grimace in the snow.

The book's longest chapter on Michael Haneke--the one I was reading for-- looks at his entire corpus as a postmodern experiment in bourgeois melodrama and family violence. Peucker argues that Haneke's work explores violence not by making a spectacle of it, but by launching an "assault" on the spectator's senses, including his use of sound and narrative suggestion. In some cases, as in Funny Games, the camera's gaze is carefully averted from violence, so that the most violent scenes of the film are mediated through sound rather than sight. Peucker quotes Haneke in saying that he feels this method of portraying violence actually creates a more powerful audience response than the recycling of overused spectacles of murder and mutation. In Benny's Video, the visual experience of violence is not averted but mediated by an extra layer of video footage, so that the real documentary footage of a pig slaughter unfolds within the diegesis of the film at a second remove--on one of Benny's video tapes, which he obsessively plays again and again. When he later brings a girl to his bedroom and murders her, Peucker remarks that the video transforms from a representation of violence to a source of violence. Benny actually tapes this second murder as well, and the tape later serves as legal evidence against him.

In keeping with the trajectory of her thesis, Peucker argues that while Haneke claims to engage his audiences in a participatory and self-reflexive relationship with his films, his films actually provoke a stronger visceral than cognitive response. However, other aspects of her analysis reveal the director's strong appeals to audience cognition, such as Haneke's signature use of the "rewind" effect in his films. In Benny's Video, Benny plays the film of the pig slaughter forwards and backwards voyeuristically; the fragmented and mediated video image continually reminds the audience that the slaughter is not happening in (Benny's) "real time" and thus allows the audience a certain contemplative distance from the image. In addition, Peucker comments on the film 71 Fragments of a Chronology of Chance, in which black-outs in the film text rupture the diegesis and prevent the viewer from re-assembling the fragments of the text into a coherent whole. In one scene, the cinematic frame includes the image of a ping-pong ball machine, which keeps thrusting balls at the camera lens (and hence at the audience). Peucker points out that the ping-pong ball machine is in a sense a mirror image of the camera (both shooting at each other). Here, "the film sets up a mirror relation between character as both player and spectator (who receives images/Ping-Pong balls), and the spectator of the film. Hence, the point at which the film's spectators are most aware of themselves as corporeal is also its most self-reflexive moment, a moment when the film points to its apparatus" (Peucker 140). While Peucker doesn't discuss the opportunities this cinematic self-reflexivity provides for viewer reflection, her reading of the scene clearly implies that the film is constructed to provoke thought as well as feeling. She writes off these experiments as "lip service... paid to self-reflexivity" (132), but she simultaneously claims that "Haneke's films wrest their spectators from passivity by preventing the tears that melodrama seeks to solicit" (156).

I highly recommend The Material Image to anyone interested in film studies or visual theory. The book is unabashedly theoretical without alienating readers who lack a strong background in film theory. Peucker also makes it easy for students to excerpt relevant chapters and save the rest for later.

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Kamis, 26 Maret 2015

> Ebook Download The Not So Wild, Wild West: Property Rights on the Frontier (Stanford Economics & Finance), by Terry L. Anderson, Peter J. Hill

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The Not So Wild, Wild West: Property Rights on the Frontier (Stanford Economics & Finance), by Terry L. Anderson, Peter J. Hill

The Not So Wild, Wild West: Property Rights on the Frontier (Stanford Economics & Finance), by Terry L. Anderson, Peter J. Hill



The Not So Wild, Wild West: Property Rights on the Frontier (Stanford Economics & Finance), by Terry L. Anderson, Peter J. Hill

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The Not So Wild, Wild West: Property Rights on the Frontier (Stanford Economics & Finance), by Terry L. Anderson, Peter J. Hill

Mention of the American West usually evokes images of rough and tumble cowboys, ranchers, and outlaws. In contrast, The Not So Wild, Wild West casts America's frontier history in a new framework that emphasizes the creation of institutions, both formal and informal, that facilitated cooperation rather than conflict. Rather than describing the frontier as a place where heroes met villains, this book argues that everyday people helped carve out legal institutions that tamed the West.

The authors emphasize that ownership of resources evolves as those resources become more valuable or as establishing property rights becomes less costly. Rules evolving at the local level will be more effective because local people have a greater stake in the outcome. This theory is brought to life in the colorful history of Indians, fur trappers, buffalo hunters, cattle drovers, homesteaders, and miners. The book concludes with a chapter that takes lessons from the American frontier and applies them to our modern "frontiers"—the environment, developing countries, and space exploration.

  • Sales Rank: #234828 in Books
  • Brand: Brand: Stanford Economics and Finance
  • Published on: 2004-05-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .90" w x 6.00" l, 1.09 pounds
  • Binding: Hardcover
  • 280 pages
Features
  • Used Book in Good Condition

Review
"Hollywood will never be able to top this portrayal of the history of the West in the U.S. The history that Anderson and Hill depict is the current situation of the majority of entrepreneurs in developing and former Soviet countries. It is not only an extraordinary insight into the genesis of America, but also the key to understanding better the Middle East, Central Asia, and all the Third World today."—Hernando de Soto, President of the Institute for Liberty and Democracy

"Emergent, self-ordering institutional arrangements and property right norms are commonplace. But they are invisible to all those who rely upon them to create wealth, and who may believe falsely that all such rules come from legislated law. Anderson and Hill have made visible an impressive array of examples from US frontier history."—Vernon L. Smith, George Mason University, 2002 Nobel Laureate in Economics

"Far from being an anarchic free-for-all, the American West was a ferment of social innovation, a place where men and women strove to invent co-operative arrangements they could trust. Anderson and Hill powerfully undermine the pervasive idea that social order and property rights are imposed from above by the state, and reveal instead that they are usually achieved from below by free negotiation between individuals."—Matt Ridley, Author of The Origins of Virtue: Human Instincts and the Evolution of Cooperation and Nature via Nurture

"The Not So Wild, Wild West represents the best of what the new institutional economics can contribute for understanding economics and political behavior in the American West."—Gary Libecap, Eller College of Business and Public Administration, The University of Arizona

"This is a book that had to be written, and Anderson and Hill are the ones that had to write it. Literature on the American West has placed too much emphasis on wars, violence, and conflict. Rather time and time again, as this book shows, institutions were devised that peaceably allocated resources and resolved conflicts."—Mark Kanazawa, Carleton College
"[T]heoretically rich and factually entertaining."—Law and Politics Book Review
"I give the book high marks for shedding new light on old paradigms and for accumulating solid evidence for an economic interpretation of western history."—Utah HIstorical Quarterly
"From wagon trains to wildlife and from mining rights to irrigation companies Not So again and again challenges conventional wisdom and challenges us all with its rigorous application of freely transferable property rights."—Economic Affairs
"This new book is more accessible to the historian and interesting to the general reader. It is essential reading for anyone with an interest in western history, political science, law, or economics."—Journal of American History
"The Not So Wild, Wild West is a beautifully written and printed volume that teaches us much about the American West, but also about human nature and the economic way of thinking. Congratulations to Terry Anderson and P.J. Hill for an outstanding book."—Regulation

From the Inside Flap
Mention of the American West usually evokes images of rough and tumble cowboys, ranchers, and outlaws. In contrast, The Not So Wild, Wild West casts America’s frontier history in a new framework that emphasizes the creation of institutions, both formal and informal, that facilitated cooperation rather than conflict. Rather than describing the frontier as a place where heroes met villains, this book argues that everyday people helped carve out legal institutions that tamed the West.
The authors emphasize that ownership of resources evolves as those resources become more valuable or as establishing property rights becomes less costly. Rules evolving at the local level will be more effective because local people have a greater stake in the outcome. This theory is brought to life in the colorful history of Indians, fur trappers, buffalo hunters, cattle drovers, homesteaders, and miners. The book concludes with a chapter that takes lessons from the American frontier and applies them to our modern “frontiers”—the environment, developing countries, and space exploration.

From the Back Cover
"Hollywood will never be able to top this portrayal of the history of the West in the U.S. The history that Anderson and Hill depict is the current situation of the majority of entrepreneurs in developing and former Soviet countries. It is not only an extraordinary insight into the genesis of America, but also the key to understanding better the Middle East, Central Asia, and all the Third World today."—Hernando de Soto, President of the Institute for Liberty and Democracy
"Emergent, self-ordering institutional arrangements and property right norms are commonplace. But they are invisible to all those who rely upon them to create wealth, and who may believe falsely that all such rules come from legislated law. Anderson and Hill have made visible an impressive array of examples from US frontier history."—Vernon L. Smith, George Mason University, 2002 Nobel Laureate in Economics

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21 of 22 people found the following review helpful.
Law and Order in the Wild, Wild West
By F. E. Guerra Pujol
P.J. Hill and Terry Anderson, two very respected American economists, have written a very thoughtful book about the spontaneous emergence of law and order in the "Wild, Wild West" of yesteryear. Their love of the great outdoors and of their native state of Montana shows through and through in this beautiful tome. They delve into a variety of fascinating topics in their book, such as the gold rush, the fur trade, the wagon trail, and the Indian wars. In addition, they provide a wonderful overview of the theory of property rights, and their book contains many helpful maps, well-organized charts, and some beautiful pictures. Anyone who is interested not only in the history of the American West but also in economics generally and property rights specifically should take the time to read this book. I heartily recommend their book to anyone with an interest in these topics.

22 of 28 people found the following review helpful.
The debate over property rights made fun!
By Arthur Digbee
This book is written by two scholars who would describe themselves as free market environmentalists. If you don't know what that is, you should probably read this book. In contrast to other tomes on such matters, it engages the topic through inherently fun examples, taken from the "Wild West" in US history.

In the first chapter, Anderson and Hill discuss various systems of property rights on the Wild West: tribal institutions, fur traders, miners in the Sierra Nevada, water rights of prior appropriation, and Cattlemen's associations.

The second chapter provides a general review of the concept of property rights and how they are designed. Anderson and Hill recognize from the start that many people use systems of property rights to benefit themselves at the expense of others. This "rent-seeking" often involves messing with the market, and harms society as a whole. In short, Anderson and Hill recognize (at least in principle) that property rights may not always be efficient in economic terms. They are fair minded, at least in principle, allowing that government, local communities, and/or entrepreneurs might each provide solutions to these problems in both theory and practice.

The next two chapters make this abstract argument concrete by looking at property rights in Indian country. Obviously, most Indian lands were taken by force or by the threat of force, an excellent example of rent-seeking by whites with tragic effects for Natives.

After this, the authors turn to a series of other property rights issues in the West, from fur traders and wagon trains to mining camps and Mormon irrigation. The core claim is that American economic successes reflect the ability of local communities to develop new institutions of property rights to solve the novel problems that they found. In contrast, when rent-seekers establish property rights that benefit them at the expense of others, bad things happen.

Given their own leanings, Anderson and Hill tend to see "good property rights leading to good outcomes" more than they see rent-seekers perverting markets and harming the environment. However, the misuse of both political and economic power is ubiquitous, and should have been acknowledged more in practice. They do recognize the bad treatment of Indians, but apparently don't find much bad behavior by whites against other whites.

The book makes some pretense of presenting an overall theory, but it really has only a framework that allows the authors to tell a bunch of interesting "just-so stories." They also do not given any attention to research design or case selection, nor do they provide a justification for telling these particular stories as opposed to others. They pose the book as providing a revisionist history, against the myth of violence on the Wild West. They're successful in telling an alternative story, but to do that, they left some things out - - most notably the railroads.

Though it's easy to read this book as part of the Right, there are elements of the argument that will provoke both sides of the political spectrum. On the one hand, the book often serves up a Pollyannish view of the glories of markets and private property that will annoy the Left. On the other hand, Anderson and Hill provide a very sympathetic view of Native American institutions, and are highly critical of how Indian land was forcefully taken and then mismanaged by whites - - issues that the Right would like to gloss over.

Those on the Right will probably like this book because of its emphasis on property rights and markets. Still, those on the Left could also read this book as a powerful indictment of corporate welfare, reflected historically in subsidized grazing and continuing to subsidized mining and oil exploration today, all of which has devastated the environment. That should give the Right pause.

In short, both sides of the debate over free markets and environmentalism could learn something from this book. But, people being the way they are, they probably won't.

4 of 15 people found the following review helpful.
Ahistorical freemarket dogma, not history
By Coyote Lightning
two free market fundamentalists got together to force their economic ideology onto the history of the US West. This isn't history, it's their family stories mixed with neoliberal dogma. The authors (ab)use history to make unfounded, normative assertions about how the world "should" work. The main point of the book is to show how absolutely central the state was to the history of US economic development, but as good free market fundamentalists, they work extra hard at trying to mystify this fact. The role of the state is veiled via special code words like "institutional entreprenuers," instead of just speaking plainly and saying that "entrepreneurs" were completely dependent on the US government to protect their private property. This is how free market ideology in the US works, and how it thrives: obfuscation, corruption of language, mythology as history, and white-washing out all that nasty genocide stuff and crony capitalism that might upset the thin-skinned reactionaries.

Instead, in a "history" book, the reader is treated to a series of fantasy examples that help the authors make their ahistorical arguments. You've perhaps heard the joke about three men stranded on a deserted island, trying to figure a way to escape. The brilliant plan of the economist (one of the 3) is that they "assume a boat." That's what these authors want you to do. In lieu of actual history, they invite you to "imagine" and "suppose" all sorts of things about their fake West. They even invented ahistorical fantasy characters with nice cowboy-sounding names to help you along: "Hoss" and "Tex." I'm not making this up. In fact, the authors did, literally. The reader is not given an actual history, but is instead treated to the usual fundamentalist dogma about the wonders of of free market capitalism: "Suppose Tex agrees with Hoss to trade some of his cows for some of Hoss's land." (p. 14, for example). If this is actually how the real history operated, why not provide the real history, instead of lame (and fake) abstractions that have nothing to do with history? This is utopian nonsense; "utopia" means "no where," which is where most of this book takes place. But the authors are trying to cash in on the mythological US west to sell a book and a load of free market crap. What they do not do is give the readers anything close to an actual history. History is based on facts; invented characters and abstract concepts are not facts. They simply are not, and this is simply not a history book, it's dogma with fake cowboys interspersed with anecdotes about their grandparents in Montana. It's an abuse of history, to make purely political arguments. That's fine in and of itself, but the authors don't own up to that, they try to pretend this is all fact-based history, and "objective." That sort of stuff is better found in the meat section of your local grocer, under the name of "bologna."

If you want to get a much more accurate view of how the US west was developed economically, you're better off going to a real historian. Nothing was more important to the development to the west than water. For those with a real curiousity about such things, and not looking simply for ideological clap-trap that reinforces a pre-existing faith, see Worster's "Rivers of Empire: Water, Aridity, and the Growth of the American West." It's a bit more challenging than reading about non-existent cowboys and ahistorical economic doctrine, but you'll walk away with a much deeper understanding of the US west (and the role of the state in this history, which these authors seem to struggle with, due to their own ideological baggage, but that's what these ideologues are paid to do: spout dogma).

This book is garbage, really only suited for teenagers looking to brainwash themselves in the faith of free market fundamentalism, or old people who never really managed to grow up. I got this book to learn more about property rights, and found the book a complete waste of time and money. I was not amused and think the authors would do better next time to tell their readers what they're about, and not try to pass off a stinking pile as if it were filet mignon. There's something deeply dishonest in this whole thing, but everyone knows that the best liars are those who themselves believe their own lies.

Now if I could only "assume" a full refund...

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> Download PDF More Than They Promised: The Studebaker Story, by Thomas Bonsall

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More Than They Promised: The Studebaker Story, by Thomas Bonsall

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More Than They Promised: The Studebaker Story, by Thomas Bonsall

This lavishly illustrated book on the famous automobile manufacturer traces the Studebaker family from its arrival in America in 1736, to the beginnings of the wagon business under John M. Studebaker and his brothers in the nineteenth century, to the family’s entry into the automobile industry in 1902, to the last Studebaker automobile to roll off the assembly line in 1966.

The book, however, is much more than the story of a family business; it is also, in microcosm, the story of the industrial development of America. The Studebakers had always been industrialists in the sense that they made their living by manufacturing things, albeit on a small scale. When the Industrial Revolution hit the country with full force, spurred on by the Civil War, it transformed America from a rural-agrarian society into an urban-industrial one. The fortunes of the Studebaker family were transformed with it.

As the title suggests, the Studebaker story was mostly one of success. Studebaker wagons and carriages were long noted for their quality and popularity, and so, too, were Studebaker automobiles. The 1953 Starliner and the 1963 Avanti, designed under Raymond Loewy’s direction, are widely regarded as among the most innovative examples of American industrial design.

The book deals in detail with the soaring prosperity of the company in the 1920s, the bankruptcy and miraculous recovery in the 1930s, the stupendous success of the early post-World War II period, and the eventual decline of the company’s fortunes in the mid-1950s. It describes the development of such famous models as the Lark, Avanti, and Gran Tourisimo Hawk, with special attention paid to the Avanti II, a surprisingly successful spinoff from the dying company that continued to be produced until 1991. The final chapter, on why Studebaker died, is tightly reasoned and more convincing than previous theories. Throughout, the author has used personal incident and characterization to bring to life the rich, tumultuous history of one of America’s longest enduring industrial empires.

  • Sales Rank: #881644 in Books
  • Published on: 2000-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.30" w x 6.00" l, 1.75 pounds
  • Binding: Hardcover
  • 496 pages

From Library Journal
The venerable Studebaker family was noted for its popular wagons and carriages in the 19th century. The company was able to make the transition from wagon manufacture to automobiles in the early 20th century, the first motor car rolling off the line in 1902. Author Bonsall (The Lincoln Motorcar) reveals these and other facts in his workmanlike rendition of the Studebaker story, which ended with its precipitous decline in the 1960s. Along the way, the company managed to acquire the Pierce-Arrow and Packard, and teamed with Mercedes-Benz in the 1950s as distributor of their products in America. But nothing could help Studebaker against the increasing size of the "Big Three" American auto manufacturers and the startling popularity of imports, beginning with the Volkswagon Beetle in the 1950s. Chapters follow a rather formulaic approach of history punctuated by quotes from company documents. Certainly, the book is well researched and the subject interesting, but the less-than-compelling narrative leaves the reader feeling that a Studebaker is just another extinct automotive brand. For transportation collections only. Eric C. Shoaf, Brown Univ. Lib., Providence, RI
Copyright 2001 Reed Business Information, Inc.

Review
"The result of a prodigious amount of research and admirably organized, this is the fullest and most detailed account of the Studebaker automobile."—James A. Ward, University of Tennessee

"Many books have chronicled the Studebaker story, but this one by noted automotive historian Thomas Bonsall is undoubtedly the definitive work. . . . More Than They Promised: The Studebaker Story is a worthy investment for anyone who wants a complete and highly accurate history of one of America's longest lasting industrial giants."—Old Cars Weekly

"Bonsall has not only found new approaches to the subject, but sheds fresh light on the oft-rehearsed reasons for the Edsel's death. The book is well written, flows nicely, and artfully mixes personalities and corporate policies. It adds a great deal to our understanding of one of the 20th century's biggest corporate disasters."—James A. Ward, University of Tennessee at Chatanooga

"This is a carefully researched and detailed overview of what might be termed the "Studebaker Empire". . .a story dating from Studebaker's first wagons of 1852 to its cars built through 1966, to the last cars assembled in Hamilton, Ontario. . . . You may already have one or more books on Studebaker. . .there have been several. But More Than They Promised is another story. And it's a good one."—Antique Automobile

"As we face another round of consolidation in the global automobile industry, the story of Studebaker and its exit from vehicle assembly in the 1960s is of particular interest. . . . Bonsall has produced a readable history of the company. Organised around the 'great' men who ran Studebaker, the volume's strength is its discussion of product design and philosophy. . . . [The] volume is a useful addition to the business history literature. . . ." —Business History Review
"Thomas Bonsall, a well-known author among antique car enthusiasts, brings considerable knowledge of automobile history to this telling of the rise and fall of the Studebaker Corporation, a company whose history spanned over a hundred years. This is not the first history of Studebaker, but readers will find information not covered in other histories of the company."—Business History Review

From the Inside Flap
This lavishly illustrated book on the famous automobile manufacturer traces the Studebaker family from its arrival in America in 1736, to the beginnings of the wagon business under John M. Studebaker and his brothers in the nineteenth century, to the family’s entry into the automobile industry in 1902, to the last Studebaker automobile to roll off the assembly line in 1966.
The book, however, is much more than the story of a family business; it is also, in microcosm, the story of the industrial development of America. The Studebakers had always been industrialists in the sense that they made their living by manufacturing things, albeit on a small scale. When the Industrial Revolution hit the country with full force, spurred on by the Civil War, it transformed America from a rural-agrarian society into an urban-industrial one. The fortunes of the Studebaker family were transformed with it.
As the title suggests, the Studebaker story was mostly one of success. Studebaker wagons and carriages were long noted for their quality and popularity, and so, too, were Studebaker automobiles. The 1953 Starliner and the 1963 Avanti, designed under Raymond Loewy’s direction, are widely regarded as among the most innovative examples of American industrial design.
The book deals in detail with the soaring prosperity of the company in the 1920s, the bankruptcy and miraculous recovery in the 1930s, the stupendous success of the early post-World War II period, and the eventual decline of the company’s fortunes in the mid-1950s. It describes the development of such famous models as the Lark, Avanti, and Gran Tourisimo Hawk, with special attention paid to the Avanti II, a surprisingly successful spinoff from the dying company that continued to be produced until 1991. The final chapter, on why Studebaker died, is tightly reasoned and more convincing than previous theories. Throughout, the author has used personal incident and characterization to bring to life the rich, tumultuous history of one of America’s longest enduring industrial empires.

Most helpful customer reviews

33 of 33 people found the following review helpful.
An interesting look....
By Amazon Customer
"More Than They Promised" was an excellent read. It detailed the entire history of Studebaker from its beginnings as wagon makers to its entry into the manufacture of automobiles.
Particularly interesting was the postwar era, especially after the disasterous merger with Packard. It SHOULD have worked, but in reality it was a total failure. The Sherwood Egbert era was very well detailed with his last-ditch efforts to save the automobile operations of what had by then become a conglomerate. At the time of their death, cars were but a small part of the empire.
I am fascinated by the Studebaker story, although I was only 8 years old when the last Studebaker was produced. I have often wondered what would have happened had they survived. Would they have survived the increasingly oppressive government safety and emission requirements? Would they have survived the fuel crises of '73 and '79?
I have had the pleasure of visiting the Studebaker National Museum in South Bend, IN. Having seen these beautiful cars, particularly the "Loewy coupes" of 1953-55, I couldn't help but draw the conclusion that Studebaker was too far ahead of their customers.
Even if you are not a "car geek" as I am, you would likely enjoy reading "More Than They Promised".

17 of 17 people found the following review helpful.
Self-inflicted tragedy
By Jim Atkins
I was born in South Bend and my neighbors and relatives worked at Studebaker. This book is an excellent portrait of a company sliding inexorably downhill. Some of the factors that killed Studebaker were internal (labor relations, high unit costs, lack of due diligence about the company's condition in the Packard merger) and some were external (George Romney's refusal to form a fourth major out of American Motors). Discussed in detail are the beautiful cars Studebaker built and their skill in managing the difficult transition from wagonmakers to automakers. (Lincoln rode in a Studebaker carriage to Ford's theater) Bonsall doesn't hesitate to point out the flaws and missteps Studebaker made, though. This book is an affectionate portrait of an American company that was part of the landscape for a century and has now vanished without a trace. Recommended.

8 of 8 people found the following review helpful.
An Interesting Story Told Well
By John Mccarrier
This is an excellent overview of the life and death of an important part of the history of the U.S. auto industry. It covers all periods of the company's history well and combines the stories of people, products, and the entire industry very nicely.

The chapter on the Avanti is a marginal addition to the narrative but the last chapter on why Studebaker failed is excellent. The author points out that most readers of auto industry history focus their interest on product and forget the impact of other factors such as competitors' actions, shifting consumer taste, and the health of the overall economy. The role of the UAW in Studebaker's demise is also presented clearly.

The book is well laid out with enough photographs to keep it visually interesting without being overwhelming.

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!! Download Copy, Archive, Signature: A Conversation on Photography, by Jacques Derrida

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Copy, Archive, Signature: A Conversation on Photography, by Jacques Derrida



Copy, Archive, Signature: A Conversation on Photography, by Jacques Derrida

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Copy, Archive, Signature: A Conversation on Photography, by Jacques Derrida

This book makes available for the first time in English—and for the first time in its entirety in any language—an important yet little-known interview on the topic of photography that Jacques Derrida granted in 1992 to the German theorist of photography Hubertus von Amelunxen and the German literary and media theorist Michael Wetzel. Their conversation addresses, among other things, questions of presence and its manufacture, the technicity of presentation, the volatility of the authorial subject, and the concept of memory. Derrida offers a penetrating intervention with regard to the distinctive nature of photography vis-à-vis related technologies such as cinema, television, and video. Questioning the all-too-facile divides between so-called old and new media, original and reproduction, analog and digital modes of recording and presenting, he provides stimulating insights into the ways in which we think and speak about the photographic image today. Along the way, the discussion fruitfully interrogates the question of photography in relation to such key concepts as copy, archive, and signature. Gerhard Richter introduces the volume with a critical meditation on the relationship between deconstruction and photography by way of the concepts of translation and invention. Copy, Archive, Signature will be of compelling interest to readers in the fields of contemporary European critical thought, photography, aesthetic theory, media studies, and French Studies, as well as those following the singular intellectual trajectory of one the most influential thinkers of our time.

  • Sales Rank: #935077 in Books
  • Brand: Brand: Stanford University Press
  • Published on: 2010-07-13
  • Released on: 2010-07-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.00" h x .34" w x 4.50" l, .25 pounds
  • Binding: Paperback
  • 112 pages
Features
  • Used Book in Good Condition

Review
"Behind Derrida's remarks on photography stands a vast philosophical knowledge, as well as a keen interest in contemporary media and technology. Richter's introduction admirably situates the discussion both with respect to Derrida's overall work and with reference to certain contemporary interpretations of photography. I can hardly imagine another discussion of photography that would display the same theoretical and philosophical breath and incisiveness that Derrida and his partners bring to bear on the subject."—Samuel Weber, European Graduate School

"The interview that composes this exquisite little book demonstrates again why Derrida remains one of our most cherished resources. Suggesting that we did not have to wait for the invention of photography to learn what it can teach us about memory, inscription, death, mourning, and even love—this is why he can associate the medium with thought in general—Derrida's meditations not only comprehend and anticipate recent developments in reproductive technologies, but they also tell us why we must remain today as concerned with photography's past and present as with its future."—Eduardo Cadava, Princeton University

About the Author
Jacques Derrida (1930–2004) was Director of Studies at the Ecole des Hautes Etudes en Sciences Sociales and Professor of Humanities at the University of California, Irvine. Among the most recent of his many books to have been translated into English are the two volumes of Psyche: Inventions of the Other (Stanford, 2007 and 2008). Gerhard Richter is Professor of German and Director of the Graduate Program in Critical Theory at the University of California, Davis. He is the author of Thought-Images: Frankfurt School Writers' Reflections from Damaged Life (Stanford, 2007). Jeff Fort is Assistant Professor of French at the University of California, Davis.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Sparks but not yet fire
By D. Fineman
This book is a translation of a conversation between Derrida and two German theorists that transpired in 1992. The interchange itself is about 14000 words, very short. The book also contains a brief introduction and some notes with interesting bibliographic references. Derrida's questioners are smart and interesting, but this is fairly staccato, incomplete, and interrupted exchange. Still, the book makes a little clearer some of the muddled relations of deconstruction and photography found in "Right of inspection" (1989) and scattered in his writing. I wish we had more and better on this topic. I think you must be interested a great deal in this application of deconstruction to be willing to buy such an incomplete and slim volume. Still, as my title suggests, there are moments of great excitement here even if this work does not bring its various promises to fruition.

1 of 4 people found the following review helpful.
It's a Pity!
By Pandafilanda
It's a pity! This interview is so fragmented by the waywardness of the interviewers that Derrida does not get the chance to elaborate on any of the topics posed to him. Almost nothing is said about the "archive", and photography is barely adressed as such. The "copy" topic is buffeted this way and that rather whimsically by the interviewers themselves, and barely nothing comes out of it. Though the text is labeled as an "interview", it feels more like a random "after dinner" conversation. Nice as such, but not quite anything. I guess Derrida must have been an awesome dinner companion, and in this book the reader may have a faint glimpse at his candid and generous enthusiasm, but even this is spoiled by the interviewers' desperate desire to stand out. I recommend this book only to those exhaustive Derrida scholars who must have every book featuring Derrida! Now I know there is a limit...

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