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God's Beauty Parlor opens the Bible to the contested body of critical commentary on sex and sexuality known as queer theory and to masculinity studies. Through a series of dazzling rereadings staged not only in God's beauty parlor, but also in God's boudoir, locker room, and war room, the author pursues the themes of homoeroticism, masculinity, beauty, and violence through such texts as the Song of Songs, the Gospels, the Letter to the Romans, and the Book of Revelation.
He ponders such matters as the curious place of the Song of Songs in the history of sexuality, or how an apparent paean to male-female love became a pretext for literary cross-dressing for legions of male Jewish and Christian commentators; Jesus' face and physique in relation to ideologies of beauty, ranging from the patristic era, when the "earthly" Jesus was regularly represented as ugly, to the contemporary global culture industry, with its trademark equation of looks with worth; the gendered and sexual substratum of Paul's doctrine of salvation embedded in his most influential epistle—not least his gendering of righteousness as masculine and sin as feminine; and the intimate imbrication of masculinity and mass death in Revelation, a book about war making men making war-making men . . . some of whom also happen to be gods.
God's Beauty Parlor is an exhilarating attempt to bring some of the most significant currents in contemporary gender studies to bear on a text that, even in the post-Christian West, remains the ultimate cultural icon, cipher, and shibboleth.
- Sales Rank: #792156 in Books
- Brand: Brand: Stanford University Press
- Published on: 2002-09-01
- Released on: 2002-09-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.15 pounds
- Binding: Paperback
- 368 pages
- Used Book in Good Condition
Review
"Too often the debate about the Bible and homosexuality is reduced to a dull episode of Crossfire. On the right, the Book of Romans condemns queers! On the left, the Book of Romans celebrates queers! In four essays Moore queers the debate for both sides, discussing the gay iconography of Jesus, the Song of Solomon, and the masculinity of the apostles as well as his own travels through the study of the good book. Deftly combining easy humor with academic theory, Moore turns up the disco music and hangs a mirror ball over the debate."—Out Magazine
"For well over a decade Stephen D. Moore has served as a powerful advocate for the intercourse between biblical interpretation and contemporary critical theories. His latest book, God's Beauty Parlor, shares many of the characteristics that Moore's readers have come to expect from his work: a solid if often irreverent grounding in biblical scholarship; a penetrating awareness of the possible implications of utilizing those methods and theories as resources for reading the Bible; and a prose style that is engaging, frequently humorous, and clear but seldom simplistic."—Ken Stone, Chicago Theological Seminary
From the Inside Flap
God’s Beauty Parlor opens the Bible to the contested body of critical commentary on sex and sexuality known as queer theory and to masculinity studies. Through a series of dazzling rereadings staged not only in God’s beauty parlor, but also in God’s boudoir, locker room, and war room, the author pursues the themes of homoeroticism, masculinity, beauty, and violence through such texts as the Song of Songs, the Gospels, the Letter to the Romans, and the Book of Revelation.
He ponders such matters as the curious place of the Song of Songs in the history of sexuality, or how an apparent paean to male-female love became a pretext for literary cross-dressing for legions of male Jewish and Christian commentators; Jesus’ face and physique in relation to ideologies of beauty, ranging from the patristic era, when the “earthly” Jesus was regularly represented as ugly, to the contemporary global culture industry, with its trademark equation of looks with worth; the gendered and sexual substratum of Paul’s doctrine of salvation embedded in his most influential epistle—not least his gendering of righteousness as masculine and sin as feminine; and the intimate imbrication of masculinity and mass death in Revelation, a book about war making men making war-making men . . . some of whom also happen to be gods.
God’s Beauty Parlor is an exhilarating attempt to bring some of the most significant currents in contemporary gender studies to bear on a text that, even in the post-Christian West, remains the ultimate cultural icon, cipher, and shibboleth.
From the Back Cover
“Too often the debate about the Bible and homosexuality is reduced to a dull episode of Crossfire. On the right, the Book of Romans condemns queers! On the left, the Book of Romans celebrates queers! In four essays Moore queers the debate for both sides, discussing the gay iconography of Jesus, the Song of Solomon, and the masculinity of the apostles as well as his own travels through the study of the good book. Deftly combining easy humor with academic theory, Moore turns up the disco music and hangs a mirror ball over the debate.”—Out Magazine
“For well over a decade Stephen D. Moore has served as a powerful advocate for the intercourse between biblical interpretation and contemporary critical theories. His latest book, God’s Beauty Parlor, shares many of the characteristics that Moore’s readers have come to expect from his work: a solid if often irreverent grounding in biblical scholarship; a penetrating awareness of the possible implications of utilizing those methods and theories as resources for reading the Bible; and a prose style that is engaging, frequently humorous, and clear but seldom simplistic.”—Ken Stone, Chicago Theological Seminary
Most helpful customer reviews
27 of 30 people found the following review helpful.
Queer - and very very good
By peculiar
Here are four papers, of a distinctly dubious nature, that were written by Professor Moore over a number of years (and having gone through a number of versions) that are now presented in conjunction with Moore's interest, no, fixation with the sexual and the aesthetic.
These papers are dubious from an academic perspective because although the subjects be biblical, and although Moore be a biblical scholar, the papers are not what you would expect biblical studies papers to be about. Well, that is to say that this formerly would have been the case. Moore is one of a growing band of scholars who are being so bold as to make the Bible an object of culture rather than a straightforwardly "given" text which is interrogated as a theological or, perhaps, historical product. Thus, in this book we find something which might, at first, seem more the product of someone in an English Department or, maybe, a Cultural Studies Department. For here we find Queer Theory, Autobiographical Criticism and a good deal of ideology. This is to say that the book is multi-disciplinary in its approach.
The subjects of the four papers, most of them items which have appeared elsewhere before in briefer forms, are "The Song of Songs in the History of Sexuality" (a matter of, amongst other things, cross-dressing and breast pumps), "On the Face and Physique of the Historical Jesus" (why does he always appear so damn beautiful?), "Sex and the Single Apostle" (that is, Paul and homosexuality and Romans) and "Revolting Revelations" (the Revelation to John and Irish mythology and 4 Maccabees). In keeping with Moore's studied and precise style, these are very absorbing pieces, not least for their author's disarming (not to say alarming) penchant for autobiography. Will we ever tire of hearing about his butcher father, his drug-induced introduction to Christianity and his own sexuality (about which he is more engagingly coy)? Not, I suggest, if he writes about it like this.
So far this might not seem to be the average book in the biblical studies catalogue. And that would be right. For Moore is an outstanding observer of the biblical field. Who else has even questioned the APPEARANCE of the historical Jesus? It is in approaching topics like this, and in asking questions 99% of biblical scholars not only would not but do not ask, that makes Moore such a breath of fresh air in the biblical academy. Of course, his choice of subjects and his autobiographical turn might turn off readers and prospective readers. But this is where there is a sting in Moore's tail. For Moore is an absolutely brilliant writer and a first grade scholar. If you come to this book with a cynical attitude hoping that Moore's scholarship will be sloppy and so you can easily dispose of him you will go away disappointed. In this book (as in his others) Moore does not give you that option.
This book is not conventional in many ways (and yet is conventionally academic). But that should not limit its readership for this book is both fresh and mind-expanding. It engages thoroughly with both contemporary and ancient cultures and, thus, thoroughly contextualises its discussions. I thoroughly recommend it for its insight, its standard of scholarship and its straightforward enjoyment value.
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