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Production of Presence: What Meaning Cannot Convey, by Hans Gumbrecht
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Production of Presence is a comprehensive version of the thinking of Hans Ulrich Gumbrecht, one of the most consistently original literary scholars writing today. It offers a personalized account of some of the central theoretical movements in literary studies and in the humanities over the past thirty years, together with an equally personal view of a possible future. Based on this assessment of the past and the future of literary studies and the humanities, the book develops the provocative thesis that, through their exclusive dedication to interpretation, i.e. to the reconstruction and attribution of meaning, the humanities have become incapable of addressing a dimension in all cultural phenomena that is as important as the dimension of meaning. Interpretation alone cannot do justice to the dimension of "presence," a dimension in which cultural phenomena and cultural events become tangible and have an impact on our senses and our bodies. Production of Presence is a passionate plea for a rethinking and a reshaping of the intellectual practice within the humanities.
- Sales Rank: #550146 in Books
- Brand: Brand: Stanford University Press
- Published on: 2003-12-11
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .60" w x 5.50" l, .55 pounds
- Binding: Paperback
- 200 pages
- Used Book in Good Condition
Review
"...Production of Presence is focused and persuasive. [It} reflect[s] the intellectual, and physical, journey of a courageous and versatile thinker."—Southern Humanities Review
From the Inside Flap
Production of Presence is a comprehensive version of the thinking of Hans Ulrich Gumbrecht, one of the most consistently original literary scholars writing today. It offers a personalized account of some of the central theoretical movements in literary studies and in the humanities over the past thirty years, together with an equally personal view of a possible future. Based on this assessment of the past and the future of literary studies and the humanities, the book develops the provocative thesis that, through their exclusive dedication to interpretation, i.e. to the reconstruction and attribution of meaning, the humanities have become incapable of addressing a dimension in all cultural phenomena that is as important as the dimension of meaning. Interpretation alone cannot do justice to the dimension of “presence,” a dimension in which cultural phenomena and cultural events become tangible and have an impact on our senses and our bodies. Production of Presence is a passionate plea for a rethinking and a reshaping of the intellectual practice within the humanities.
From the Back Cover
“...Production of Presence is focused and persuasive. [It} reflect[s] the intellectual, and physical, journey of a courageous and versatile thinker.”—Southern Humanities Review
Most helpful customer reviews
3 of 4 people found the following review helpful.
Had a great thought---but didn't develop it
By Geoff Sarkissian
I enjoyed this book a lot...especially when he talks about a "moment of emotional intensity" as being one of the objectives of art...and his distinction between a "presence" culture and "meaning" culture. All great concepts (which I continue to reflect two years after reading). Some of the book seems to be more concerned about his own personal intellectual struggles---i.e. complaints against his fellow humanists in the universities---so once he lays out his arguments, he's moving on to literary criticism and stops developing the key ideas.
0 of 0 people found the following review helpful.
important ground, presence... goes beyond literal/literary ...
By E. Serna
important ground, presence ... goes beyond literal/literary meaning, takes the humanities out of bounds ...
3 of 14 people found the following review helpful.
Getting aquanted with philosophy
By Maria Dolores Souza Meyerholz
I found the book very interesting, a new point of view that questions our cultural worldview and language.
The author knows his field and therefore has lots of academic references and examples. It is sometimes difficult for non- english speakers and for people outside philosophy or epistemology but it is worth reading it, not only for scholars, but also for people who want to know more about emotional experience.
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