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The Re-Enchantment of the World is an interdisciplinary volume that challenges the long-prevailing view of modernity as "disenchanted." There is of course something to the widespread idea, so memorably put into words by Max Weber, that modernity is characterized by the "progressive disenchantment of the world." Yet what is less often recognized is the fact that a powerful counter-tendency runs alongside this one, an overwhelming urge to fill the vacuum left by departed convictions, and to do so without invoking superseded belief systems. In fact, modernity produces an array of strategies for re-enchantment, each fully compatible with secular rationality. It has to, because God has many "aspects"—or to put it in more secular terms, because traditional religion offers so much in so many domains. From one thinker to the next, the question of just what, in religious enchantment, needs to be replaced in a secular world receives an entirely different answer. Now, for the first time, many of these strategies are laid out in a single volume, with contributions by specialists in literature, history, and philosophy.
- Sales Rank: #890828 in Books
- Published on: 2009-01-21
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.20" w x 6.00" l, 1.50 pounds
- Binding: Hardcover
- 408 pages
Review
"[I] would assure any prospective readers interested in the subject that the collection is rich, varied, and overall an excellent and helpful text that I would say 'prepares the soil' for many fruitful discussions on reason, philosophy, art, ecology, poetry, music, and magic."—Peter Duchemin, Analecta Hermeneutica
"The Re-Enchantment of the World ultimately becomes richer for its internal diversity. Instead of offering a single argument, it reveals some of the competing agenda and concerns that have clustered around a recent area of critical inquiry, suggesting why it has captured so many scholars' attentions and where it might lead in the future."—Sebastian Lecourt, Religion and the Arts
"Joshua Landy and Michael Saler have edited a book that confirms what many modernist scholars have long suspected: existing theories of modern re-enchantment need updating. Their careful and detailed critique of earlier theories of modern re-enchantment is compelling . . . This collection makes clear that any understanding of modern re-enchantment is incomplete without a consideration of its many and varied permutations."—Katherine Elkins, Modernism/Modernity
"[T]he writers offer provocative and often brilliant meditations on the possibilities of secular modernity."—Joanna Picciotto, Common Knowledge
"'The fate of our times is characterised by the rationalisation and intellectualisation and, above all, by the disenchantment of the world' Or so Max Weber declared in 1917, Joshua Landy and Michael Saler remind us, in introducing this engaging 'smorgasbord' of a book, which ranges freely from environmentalism and architecture on one hand to Gnosticism and poetry on the other."—Journal of the Philosophical Society of England
"This interdisciplinary collection challenges the assumption that modernity's secular rationalism banished the sense of 'enchantment'—wonder, mystery, sacredness, order—engendered by religion and myth in earlier times. The 13 contributors discuss attempts to fill the void left by 'the death of God.' These include responses to nature famously detailed by Henry David Thoreau, the less accessible philosophy of Martin Heidegger, and the interest that William James took in psychic phenomena . . . The imaginative reach of these authors is itself a source of wonder, as is their erudition, evidenced by the copious endnotes and 29-page works cited."—CHOICE
"This is one of those rare books that creates a paradigm shift in a topic of real importance. These brilliant cross-disciplinary essays present a fresh understanding of secular modernity: the old Weberian disenchantment paradigm lies in tatters and we realize that intellectual and cultural modernisation is soaked in magic and mystery too."—Simon During, Johns Hopkins University
About the Author
Joshua Landy is Professor of French at Stanford University and the author of Philosophy as Fiction: Self, Deception, and Knowledge in Proust (2004). Michael Saler is Professor of History at the University of California, Davis and the author of The Avant-Garde in Interwar England: Medieval Modernism and the London Underground (1999).
Most helpful customer reviews
12 of 12 people found the following review helpful.
Logically Enchanting
By Anya Bershad
Magnificent book. If you're feeling at all cynical, you ought to read it. Any time I see anything about enchantment in modernity, the tone is wistful -- the authors mourn a primitive mode of experience that has been driven to extinction by the rational worldview. The essays in this book do no such thing. Instead, each presents a possible way of finding a sense of wonder without relinquishing the scientific thinking to which we moderns so desperately cling. Remarkably, each essay provides a *different* solution to the problem and contributes a unique, and often surprising, perspective to the picture of modern enchantment. What a relief (and delight!) to discover such a wealth of magic so close at hand.
8 of 8 people found the following review helpful.
Reason and Mystery Living in Peace
By Gridley
At first blush one wouldn't think using the words "magic" and "secular" in a complementary fashion would work. But this collection of essays does succeed - at least in some degree - to meld magic and rationality.
The various essays begin with Max Weber's plaint (or proclamation - your choice) that "The fate of our times is characterized by rationalization and intellectualization and, above all, by the `disenchantment of the world.'"
This has generally been taken to mean that the project of the Enlightenment - its reason and increasingly scientific method - has taken (or will take) away the mysteries of life, the aspects that we conventionally see as beyond human involvement and understanding. This has, of course, been anathema to the theses of religion as we commonly know it, and has been at the root of the centuries-old friction between religion and reason. But this book takes on itself a project that I applaud: a healing of this rift, in all its manifestations.
Each essay is an attempt to do just this in various fields of endeavor. We see in looking to the re-enchantment latent in gardens and place, in architecture, religion, art, literature, philosophy, and even in politics, elements of human experience that allow us to become re-enchanted with life, secular life in particular.
The point is made here that re-enchantment isn't a return to a primitive human way of viewing things, after centuries of science and reason, when we should know better. Instead, it's allowing ourselves to be re-enchanted with life - within the world given to us via centuries of rational progress.
There's a tacit suspicion here that reason, too, has its limits, as the difficulties of the last hundred years or so have caused humanity. While this may be in part because of a remaining lack of development of reason within world culture, it is hard to avoid the idea that the working of the left brain will never be without the right brain's enchanting spectacle. And, conversely, that enchantment will forever need reason as its anchor, lest it lead humanity astray.
Admittedly, the editors and separate essayists have bitten off a lot with this project. Still, it's a vital one, a project that can nudge reason into a proper intellectual panoply. I'd encourage anyone who has read this far into this review to take this book on, and I'd point readers primarily toward the section on ideology and on Nietzsche. It's that important a subject.
16 of 22 people found the following review helpful.
Missing magic
By Catsrose
Beyond a doubt the book is scholarly and insightful. But it is also dead, dry, ivory tower intellectualism--the essence of disenchantment. I am not sure who the intended audience is. The collection is rather like a chemist's version of chocolate mousse; it may be a valid, even useful analysis, but it misses the point. The first comparison that bubbled up was David Abram's The Spell of the Sensuous, which is along the same lines if not precisely the same. But Abram evinces a deep tenderness for his subject which is lacking here. I suspect Merlin would not get through the first paragraph of any of the essays and, certainly, this is why Peter Pan did not want to grow up.
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