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This collection of essays, written for this volume and often using unpublished and archival materials, converges around the usually close and intense relationship between Robert Duncan and Denise Levertov, two of the most important and remarkable American poets in the second half of the twentieth century. Their association, played out in their poems and in an extraordinary exchange of letters, was based on a sense of the visionary imagination informing the direction and shape of the poet. However, they had a falling out during the Vietnam crisis over the relationship between poetry and politics, between the private and public responsibilities of the poet.
Such issues are vital not only to their poetry and the poetry of that period but to contemporary poetry as well. A distinguished group of critics, led by Albert Gelpi and Robert J. Bertholf, examines the issues that drew Levertov and Duncan together, and split them apart, in a book that has the openness and coherence of an urgent, contemporary dialogue about the form and meaning of poetry.
- Sales Rank: #3104327 in Books
- Brand: Brand: Stanford University Press
- Published on: 2006-10-23
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .50" w x 6.00" l, .69 pounds
- Binding: Paperback
- 232 pages
- Used Book in Good Condition
Review
"This book is a companion to Stanford University Press's The Letters of Robert Duncan and Denise Levertov, and will greatly amplify the value of The Letters. One of the truly impressive aspects of the present volume is the admirable even-handedness with which the two poets are treated. This volume does one complex thing and does it very well: it makes the conflict between Levertov and Duncan come alive in the fullness of its political and poetic implications. It also makes a signal contribution by engaging with the huge Duncan-Levertov correspondence and demonstrating what a rich treasure trove it is. This study will be the definitive treatment of a very significant controversy."—Stephen Fredman, University of Notre Dame
From the Inside Flap
This collection of essays, written for this volume and often using unpublished and archival materials, converges around the usually close and intense relationship between Robert Duncan and Denise Levertov, two of the most important and remarkable American poets in the second half of the twentieth century. Their association, played out in their poems and in an extraordinary exchange of letters, was based on a sense of the visionary imagination informing the direction and shape of the poet. However, they had a falling out during the Vietnam crisis over the relationship between poetry and politics, between the private and public responsibilities of the poet.
Such issues are vital not only to their poetry and the poetry of that period but to contemporary poetry as well. A distinguished group of critics, led by Albert Gelpi and Robert J. Bertholf, examines the issues that drew Levertov and Duncan together, and split them apart, in a book that has the openness and coherence of an urgent, contemporary dialogue about the form and meaning of poetry.
From the Back Cover
“This book is a companion to Stanford University Press’s The Letters of Robert Duncan and Denise Levertov, and will greatly amplify the value of The Letters. One of the truly impressive aspects of the present volume is the admirable even-handedness with which the two poets are treated. This volume does one complex thing and does it very well: it makes the conflict between Levertov and Duncan come alive in the fullness of its political and poetic implications. It also makes a signal contribution by engaging with the huge Duncan-Levertov correspondence and demonstrating what a rich treasure trove it is. This study will be the definitive treatment of a very significant controversy.”—Stephen Fredman, University of Notre Dame
Most helpful customer reviews
2 of 5 people found the following review helpful.
Important Volume
By JNagarya
As Denise Levertov is one of my most favorite poets; and as her work was of major importance during her lifetime, the political in it being no small reason for that; and because the question at the core -- "Do poetry and politics mix?" -- is perennial, central, and ultimately unanswerable to the conclusive satisfaction of either side of the debate, this is an important book. ("The Letters of Robert Duncan and Denise Levertov," by the same editors, to which this can serve as introduction, is an epic intimacy, wholly unselfconscious, and for that reason a treasure of insights not only into the individual letter writers but also into their shared and separate aesthetics.)
The essays themselves are something of a mixed bag, in my view, as is often the case with collections of essays. In several instances, as example, a writer of an essay is so self-involved, and so enraptured with name-dropping and self-promotion, that during the reading of such one forgets it is intended to be not about the writer, but about Duncan and Levertov.
Over all, as well, it suffers the usual problem that afflicts literary criticism: Often in reading it one shrugs and asks, "Who cares?" then returns to reading (in this instance) Levertov's poetry. Yet no harm done, for the occasional biographical information (there is a biography of Levertov in the works), and if one can keep one's patience with that which -- literary criticism -- is by-and-large beside the point.
I enjoyed most of it; and will keep it with my Levertov. But at this point I'd rather the forthcoming biography.
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