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>> Download PDF Social Formalism: The Novel in Theory from Henry James to the Present, by Dorothy Hale

Download PDF Social Formalism: The Novel in Theory from Henry James to the Present, by Dorothy Hale

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Social Formalism: The Novel in Theory from Henry James to the Present, by Dorothy Hale

Social Formalism: The Novel in Theory from Henry James to the Present, by Dorothy Hale



Social Formalism: The Novel in Theory from Henry James to the Present, by Dorothy Hale

Download PDF Social Formalism: The Novel in Theory from Henry James to the Present, by Dorothy Hale

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Social Formalism: The Novel in Theory from Henry James to the Present, by Dorothy Hale

In recent decades, literary critics have praised novel theory for abandoning its formalist roots and defining the novel as a vehicle of social discourse. The old school of novel theory has long been associated with Henry James; the new school allies itself with the Russian theorist Mikhail Bakhtin. In this book, the author argues that actually it was the compatibility of Bakhtin with James that prompted Anglo-American theorists to embrace Bakhtin with such enthusiasm. Far from rejecting James, in other words, recent novel theorists have only refined James's foundational recharacterization of the novel as the genre that does not simply represent identity through its content but actually instantiates it through its form.

Social Formalism demonstrates the persistence of James's theoretical assumptions from his writings and those of his disciple Percy Lubbock through the critique of Jamesian theory by Roland Barthes, Wayne Booth, and Gérard Genette to the current Anglo-American assimilation of Bakhtin. It also traces the expansion of James's influence, as mediated by Bakhtin, into cultural and literary theory. Jamesian social formalism is shown to help determine the widely influential theories of minority identity expounded by such important cultural critics as Barbara Johnson and Henry Louis Gates. Social Formalism thus explains why a tradition that began by defining novelistic value as the formal instantiation of identity ends by defining minority political empowerment as aestheticized self-representation.

  • Sales Rank: #1428025 in Books
  • Brand: Brand: Stanford University Press
  • Published on: 1998-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .60" w x 6.00" l, .81 pounds
  • Binding: Paperback
  • 264 pages
Features
  • Used Book in Good Condition

Review
“This book stages a powerful critique of the theory of narrative in general, and of the novel in particular. Hale’s arguments are convincing, she writes with an admirable lucidity, and she is fearless in taking on the central shibboleths of the last thirty years. This is a splendid, brave, bracing performance.”—Jonathan Freedman, University of Michigan

From the Inside Flap
In recent decades, literary critics have praised novel theory for abandoning its formalist roots and defining the novel as a vehicle of social discourse. The old school of novel theory has long been associated with Henry James; the new school allies itself with the Russian theorist Mikhail Bakhtin. In this book, the author argues that actually it was the compatibility of Bakhtin with James that prompted Anglo-American theorists to embrace Bakhtin with such enthusiasm. Far from rejecting James, in other words, recent novel theorists have only refined James’s foundational recharacterization of the novel as the genre that does not simply represent identity through its content but actually instantiates it through its form.
Social Formalism demonstrates the persistence of James’s theoretical assumptions from his writings and those of his disciple Percy Lubbock through the critique of Jamesian theory by Roland Barthes, Wayne Booth, and Gérard Genette to the current Anglo-American assimilation of Bakhtin. It also traces the expansion of James’s influence, as mediated by Bakhtin, into cultural and literary theory. Jamesian social formalism is shown to help determine the widely influential theories of minority identity expounded by such important cultural critics as Barbara Johnson and Henry Louis Gates. Social Formalism thus explains why a tradition that began by defining novelistic value as the formal instantiation of identity ends by defining minority political empowerment as aestheticized self-representation.

From the Back Cover
“This book stages a powerful critique of the theory of narrative in general, and of the novel in particular. Hale’s arguments are convincing, she writes with an admirable lucidity, and she is fearless in taking on the central shibboleths of the last thirty years. This is a splendid, brave, bracing performance.”—Jonathan Freedman, University of Michigan

Most helpful customer reviews

6 of 10 people found the following review helpful.
A difficult, but ultimately richly rewarding read
By Mike S Kim
As a 23 year-old, I write this review from the perspective of a dedicated, but relatively inexperienced, literary scholar. I found Hale's book an enlightening and engaging read (indeed, saying it is inspirational would not be going to far). Due to my limited familiarity with certain thinkers examined within the text (such as Bahktin, Genette) I found the book somewhat difficult to follow at times, but this was a result of my inadequate background in literary theory rather than any inherents failures on the part of the book or author. But to say that I didn't fully understand the book is not to say that reading it was not a wonderful and thought provoking experience. As inexperienced a scholar as I am, I still understood and appreciated most of the book and would like to unequivocally praise what Dr. Hale has accomplished. I would recommend the book to anyone interested in narrative theory, though beginners (such as myself) must be prepared for a demanding text that will only prove intellectually productive in proportion to the amount of effort and concentration applied in the reading of it. All in all, a wonderful book. I eagerly await the author's next effort.

See all 1 customer reviews...

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