Ebook The Scandal of the Speaking Body: Don Juan with J. L. Austin, or Seduction in Two Languages (Meridian: Crossing Aesthetics), by Shoshana F
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What is a promise? What are the consequences of the act of promising? In this bold yet subtle meditation, the author contemplates the seductive promise of speech and the seductive promise of love. Imagining an encounter between Molière’s Don Juan and J. L. Austin, between a mythical figure of the French classical theater and a twentieth-century philosopher, she explores the relation between speech and the erotic, using a literary text as the ground for a telling encounter between philosophy, linguistics, and Lacanian psychoanalytic theory. In the years since the publication of this book (which the author today calls “the boldest, the most provocative, but also the most playful” she has written), speech act theory has continued to play a central and defining role in the theories of sexuality, gender, performance studies, post-colonial studies, and cultural studies. This book remains topical as readers increasingly discover how multiply relevant the speaking body is.
Moving beyond the domain of formal linguistic analysis to address these questions, the author has written a daring and seductive book.
- Sales Rank: #958886 in Books
- Published on: 2002-12-19
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .60" w x 5.50" l, .46 pounds
- Binding: Paperback
- 176 pages
Review
"The Scandal of the Speaking Body—one of the most brilliant and daring and disturbing works of its period, which appeared in English translation in 1984 [under the title The Literary Speech Act] ... has never found the full radius of readers it assumes and deserves." —From the Forewordby Stanley Cavell
Language Notes
Text: English (translation)
Original Language: French
From the Inside Flap
What is a promise? What are the consequences of the act of promising? In this bold yet subtle meditation, the author contemplates the seductive promise of speech and the seductive promise of love. Imagining an encounter between Molière’s Don Juan and J. L. Austin, between a mythical figure of the French classical theater and a twentieth-century philosopher, she explores the relation between speech and the erotic, using a literary text as the ground for a telling encounter between philosophy, linguistics, and Lacanian psychoanalytic theory. In the years since the publication of this book (which the author today calls “the boldest, the most provocative, but also the most playful” she has written), speech act theory has continued to play a central and defining role in the theories of sexuality, gender, performance studies, post-colonial studies, and cultural studies. This book remains topical as readers increasingly discover how multiply relevant the speaking body is.
Moving beyond the domain of formal linguistic analysis to address these questions, the author has written a daring and seductive book.
Most helpful customer reviews
6 of 7 people found the following review helpful.
Speech act theory seductively charged
By Luca Graziuso and Marina Ross
Shoshana Felman originally published this venture under the title "The Literary Speech Act" in 1984. Because it had made little impression Stanford University Press repackaged this intriguing Lacanian-bent reading of language and its seductive intentions under a new title, and, as if it were not enough, with a foreword by Stanley Cavell and an afterword by Judith Butler. The latter is exceptional as always, while the former delights in providing some of the history to set the stage as a foreword well should.
Eros and language have often been seen as consorts but through the intermediary of speech act theory and a close reading of Moliere's Don Juan this work hinges on overlooked crevices to open a discourse yet needing further applications.
The premise is executed with imaginative sensibilities, however there is a deeper statement being made by the author, which corresponds with Nietzsche's corrective of Aristotle, claiming that man is not so much a political animal as much as he is a promising one. This semiotic distinction is laced in a brave exploration of J.L. Austin's speech act theory as well as through a deconstructive rendition of the Don Juan myth as it reads in Moliere.
"The Scandal of the Speaking Body" announced an essential theme in contemporary philosophy (and theology) which has not assumed the voice its role demands. There has been much talk about the notion of the gift and the place of speech in the political, but the element of promise has been left to its own devices, seduced but not consummated, called upon but not interrogated. Felman does just that, while in order to never strain her focus she renounces to fully delve into the correlation which promise has with the political, making it an assumption which is alluded to, inspite of the fact that it is to this notion that are owed the most illuminating examples. The act of promising is explored with vivacious vehemence and intelligence in a humorous and sound performance that sets the stage as it undoes it. Performance studies has become a rightful descendent of speech act theory and this book explains theoretical nuances that others take for granted. The re-issue of this title is a worthy cause and the encounter here performed a study that deserves a wide readership as much as the seductive role of promising in language must find a ways to lure more attention and further interest.
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