Rabu, 15 Oktober 2014

^^ Download PDF Scare Quotes from Shakespeare: Marx, Keynes, and the Language of Reenchantment, by Martin Harries

Download PDF Scare Quotes from Shakespeare: Marx, Keynes, and the Language of Reenchantment, by Martin Harries

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Scare Quotes from Shakespeare: Marx, Keynes, and the Language of Reenchantment, by Martin Harries

Scare Quotes from Shakespeare: Marx, Keynes, and the Language of Reenchantment, by Martin Harries



Scare Quotes from Shakespeare: Marx, Keynes, and the Language of Reenchantment, by Martin Harries

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Scare Quotes from Shakespeare: Marx, Keynes, and the Language of Reenchantment, by Martin Harries

This book argues that moments of allusion to the supernatural in Shakespeare are occasions where Karl Marx and John Maynard Keynes register the perseverance of haunted structures in modern culture. This "reenchantment," at the heart of modernity and of literary and political works central to our understanding of modernity, is the focus of this book. The author shows that allusion to supernatural moments in Shakespeare ("scare quotes") allows writers to both acknowledge and distance themselves from the supernatural phenomena that challenge their disenchanted understanding of the social world. He also uses these modern appropriations of Shakespeare as provocations to reread some of his works, notably Hamlet and Macbeth.

Two pairs of linked chapters form the center of the book. One pair joins a reading of Marx, concentrating on The Eighteenth Brumaire, to Hamlet; the other links a reading of Keynes, focusing on The Economic Consequences of the Peace, to Macbeth. The chapters on Marx and Keynes trace some of the strange circuits of supernatural rhetoric in their work, Marx's use of ghosts and Keynes's fascination with witchcraft. The sequence linking Marx to Hamlet, for example, has as its anchor the Frankfurt School's concept of the phantasmagoria, the notion that it is in the most archaic that one encounters the figure of the new. Looking closely at Marx's association of the Ghost in Hamlet with the coming revolution in turn illuminates Hamlet's association of the Ghost with the supernatural beings many believed haunted mines.

An opening chapter discusses Henry Dircks, a nineteenth-century English inventor who developed—and then lost his claim to—a phantasmagoria or machine to project ghosts on stage. Dircks resorted to magical rhetoric in response to his loss, which is emblematic for the book as a whole, charting ways the scare quote can, paradoxically, continue the work of enlightenment.

  • Sales Rank: #3291466 in Books
  • Published on: 2000-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.20" w x 5.50" l, .89 pounds
  • Binding: Hardcover
  • 224 pages

Review
". . . . Martin Harries has produced a fascinating, detailed, and dense argument, whose twists and turns themselves betray the continued existence of the principle of the 'Scare quote' as he defines the genre."—Shakespeare Studies

"The whole thing is accomplished with much style, and turns and returns with great poise and ever-compounding intricacy; meanwhile its calculating audacities offer themselves in a winning and unembarrassed way."—The Wordsworth Circle

"His reading of the scene in which Hamlet encounters the ghost is spectacular. Bringing together the language of mining with that of military conflict, coinage, and wealth-generation, this part of Harries' book shows him at his best. His linguistic assiduousness meets his awareness of the play's central themes and its cultural context in a manner that both illuminates the play and reinforces his claim that 'it is precisely Hamlet's figuring a modernity inextricably linked to ghostly injuctions that makes the play so telling an icon of modernity.'"—Ariel: A Review of International English Literature.

"Even as a study of Shakespearean textuality in Marx and Keynes, this is an inventive and significant book. But it aims at more than that. Harries also employs Marx's and Keynes's 'readings' of Shakespeare as entryways into Hamlet and Macbeth, leading to original analyses of both plays. He offers a fascinating cultural history of phantasmagoria in nineteenth-century theater and culture, and he engages in a wide-ranging philosophical investigation of how the capitalist economy 'reenchants' our supposedly secularized modernity."—Richard Halpern, University of Colorado

From the Inside Flap
This book argues that moments of allusion to the supernatural in Shakespeare are occasions where Karl Marx and John Maynard Keynes register the perseverance of haunted structures in modern culture. This “reenchantment,” at the heart of modernity and of literary and political works central to our understanding of modernity, is the focus of this book. The author shows that allusion to supernatural moments in Shakespeare (“scare quotes”) allows writers to both acknowledge and distance themselves from the supernatural phenomena that challenge their disenchanted understanding of the social world. He also uses these modern appropriations of Shakespeare as provocations to reread some of his works, notably Hamlet and Macbeth.
Two pairs of linked chapters form the center of the book. One pair joins a reading of Marx, concentrating on The Eighteenth Brumaire, to Hamlet; the other links a reading of Keynes, focusing on The Economic Consequences of the Peace, to Macbeth. The chapters on Marx and Keynes trace some of the strange circuits of supernatural rhetoric in their work, Marx’s use of ghosts and Keynes’s fascination with witchcraft. The sequence linking Marx to Hamlet, for example, has as its anchor the Frankfurt School’s concept of the phantasmagoria, the notion that it is in the most archaic that one encounters the figure of the new. Looking closely at Marx’s association of the Ghost in Hamlet with the coming revolution in turn illuminates Hamlet’s association of the Ghost with the supernatural beings many believed haunted mines.
An opening chapter discusses Henry Dircks, a nineteenth-century English inventor who developed—and then lost his claim to—a phantasmagoria or machine to project ghosts on stage. Dircks resorted to magical rhetoric in response to his loss, which is emblematic for the book as a whole, charting ways the scare quote can, paradoxically, continue the work of enlightenment.

From the Back Cover
“. . . . Martin Harries has produced a fascinating, detailed, and dense argument, whose twists and turns themselves betray the continued existence of the principle of the ‘Scare quote’ as he defines the genre.”—Shakespeare Studies
“The whole thing is accomplished with much style, and turns and returns with great poise and ever-compounding intricacy; meanwhile its calculating audacities offer themselves in a winning and unembarrassed way.”—The Wordsworth Circle

Most helpful customer reviews

1 of 2 people found the following review helpful.
Amazing (and not scary) Book!
By A Customer
I found this book almost by accident--which is the way I suppose others might find it, although people should seek it out. Anyone interested in literary and social theory, in citation, in ghosts, or in just a plain good read should read this book. It is beautifully written and contains subtle interpretations of not only Shakespeare but Marx and Weber, Keynes (whom I didn't know), etc. It has a light touch, but the concept of "reenchantment" is fascinating. Really--read this book!--you will be surprised!

2 of 3 people found the following review helpful.
(G)hosts
By A Customer
Who hosts ghosts? All of us, I would think. In a remarkable and original intertextual study, Martin Harries brings Shakespeare and modern economic analysis under his purview to argue that the hunter is forever haunted by the hunted and that any attempt to disavow the supernatural will inevitably also welcome it to the party. Highly recommended.

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^ Ebook Free The Weight of the World: Social Suffering in Contemporary Society, by Pierre Bourdieu et al.

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The Weight of the World: Social Suffering in Contemporary Society, by Pierre Bourdieu et al.

The Weight of the World: Social Suffering in Contemporary Society, by Pierre Bourdieu et al.



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The Weight of the World: Social Suffering in Contemporary Society, by Pierre Bourdieu et al.

Confined in their governmental ivory towers, their actions largely dictated by public opinion polls, politicians and state officials are all too often oblivious to the everyday lives of ordinary citizens. These persons, who often experience so much hardship in their lives, have few ways to make themselves heard and are obliged either to protest outside official frameworks or remain locked in the silence of their despair.

Under the direction of Pierre Bourdieu, France’s foremost sociologist, a team of 22 researchers spent three years studying and analyzing the new forces of social suffering that characterize contemporary societies—the daily suffering of those denied the means of acquiring a socially dignified existence and of those poorly adjusted to the rapidly changing conditions of their lives. Social workers, teachers, policemen, factory workers, white-collar clerks, farmers, artisans, shopkeepers—no one seems to be immune from the frustrations of today’s life, not to speak of the institutions of the family, work, and education.

The book can be read like a series of short stories, which include: a steel worker who was laid off after 20 years and now struggles to support his family on unemployment benefits and a part-time job; a trade unionist who finds his goals undermined by the changing nature of work; a family from Algeria living in a housing tract on the outskirts of Paris who must cope with pervasive forms of racism; and a schoolteacher confronted with urban violence. Reading these stories enables one to register these people’s lives and the forms of social suffering that infuse them.

The original publication of this book was a major social and political event in France, where it topped the best-seller list and triggered a widespread public debate on inequality, politics, and civic solidarity. It offers not only a distinctive method for analyzing social life, but another way of practicing politics.

  • Sales Rank: #648312 in Books
  • Brand: Brand: Stanford University Press
  • Published on: 2000-01-01
  • Released on: 2000-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.50" w x 6.00" l, 2.44 pounds
  • Binding: Paperback
  • 656 pages
Features
  • Used Book in Good Condition

Language Notes
Text: English (translation)
Original Language: French

From the Inside Flap
Confined in their governmental ivory towers, their actions largely dictated by public opinion polls, politicians and state officials are all too often oblivious to the everyday lives of ordinary citizens. These persons, who often experience so much hardship in their lives, have few ways to make themselves heard and are obliged either to protest outside official frameworks or remain locked in the silence of their despair.
Under the direction of Pierre Bourdieu, France’s foremost sociologist, a team of 22 researchers spent three years studying and analyzing the new forces of social suffering that characterize contemporary societies—the daily suffering of those denied the means of acquiring a socially dignified existence and of those poorly adjusted to the rapidly changing conditions of their lives. Social workers, teachers, policemen, factory workers, white-collar clerks, farmers, artisans, shopkeepers—no one seems to be immune from the frustrations of today’s life, not to speak of the institutions of the family, work, and education.
The book can be read like a series of short stories, which include: a steel worker who was laid off after 20 years and now struggles to support his family on unemployment benefits and a part-time job; a trade unionist who finds his goals undermined by the changing nature of work; a family from Algeria living in a housing tract on the outskirts of Paris who must cope with pervasive forms of racism; and a schoolteacher confronted with urban violence. Reading these stories enables one to register these people’s lives and the forms of social suffering that infuse them.
The original publication of this book was a major social and political event in France, where it topped the best-seller list and triggered a widespread public debate on inequality, politics, and civic solidarity. It offers not only a distinctive method for analyzing social life, but another way of practicing politics.

Most helpful customer reviews

29 of 29 people found the following review helpful.
a unique contribution
By A Customer
"The Weight of the World" consists mainly of conversations with a wide variety of contemporary (mostly French) people--judges, gangsters, policemen, concierges. The various interviews, while covering quite disparate social worlds, manage to coalesce fairly well. This is excellent ethnography, and while many of the statements of these people might at first seem banal, taken as an aggregate, they support Bourdieu's theoretical framework quite well. On a more personal level, some of the interviews are quite funny and a few even made me cry. Bourdieu's works continue to challenge and demolish theories which neglect social reality. Very powerful, but I might suggest reading some of his more theoretical stuff first ("Pascalian Meditations" is very good)...

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Selasa, 14 Oktober 2014

^^ Ebook Without Fear or Favor: Judicial Independence and Judicial Accountability in the States (Stanford Studies in Law and Politics), by G. Tarr

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Without Fear or Favor: Judicial Independence and Judicial Accountability in the States (Stanford Studies in Law and Politics), by G. Tarr

The impartial administration of justice and the accountability of government officials are two of the most strongly held American values. Yet these values are often in direct conflict with one another.

At the national level, the U.S. Constitution resolves this tension in favor of judicial independence, insulating judges from the undue influence of other political institutions, interest groups, and the general public. But at the state level, debate has continued as to the proper balance between judicial independence and judicial accountability. In this volume, constitutional scholar G. Alan Tarr focuses squarely on that debate. In part, the analysis is historical: how have the reigning conceptions of judicial independence and accountability emerged, and when and how did conflict over them develop? In part, the analysis is theoretical: what is the proper understanding of judicial independence and accountability?

Tarr concludes the book by identifying the challenges to state-level judicial independence and accountability that have emerged in recent decades, assessing the solutions offered by the competing sides, and offering proposals for how to strike the appropriate balance between independence and accountability.

  • Sales Rank: #1884644 in Books
  • Brand: Brand: Stanford University Press
  • Published on: 2012-09-19
  • Released on: 2012-09-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.30" w x 6.00" l, .80 pounds
  • Binding: Paperback
  • 280 pages
Features
  • Used Book in Good Condition

Review
"Tarr offers a thoughtful and comprehensive analysis of the claims and counterclaims made by critics and supporters of judicial elections. . . . Tarr's book is well-crafted and should be easily accessible to legal academics, policymakers, and the broader lay public."—Tad Daley, Political Science Quarterly

"Tarr presents an overview of the conflicting arguments surrounding state-level judiciaries and their influence in the political system. The author presents a comprehensive, critical, in-depth analysis of the arguments surrounding judicial independence and accountability within US state governments and the notable impact of judicial elections on this important debate . . . Tarr's work has long explored a criticial area within the understanding of state governments, and this study is required for both scholars and those interested in US state governments. Essential."—J. Michael Bitzer, CHOICE

"Alan Tarr addresses one of the most dramatic contrasts between the national and (most) state governments in the United States: the strong reliance on elected judiciaries in the states. The topic is not only of genuine theoretical interest—e.g., are elected judiciaries measurably worse than appointed judiciaries of the kind we have at the national level?—but also of increasing public interest as well, given the increased willingness of angry electorates to fire judges whose opinions they do not like. Tarr has written a highly readable book that provides a plausible solution to the particular ills of elected judiciaries that does not require eliminating them."—Sanford Levinson, author of Framed: America's 51 Constitutions and the Crisis of Governance

About the Author
G. Alan Tarr is Director of the Center for State Constitutional Studies and Distinguished Professor of Political Science at Rutgers University-Camden. He is the author or editor of several books on constitutionalism and on federalism, and has lectured on these subjects in United States, Africa, Asia, Europe, and South America.

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Jumat, 10 Oktober 2014

## Download PDF The Collected Poetry of Robinson Jeffers: Volume Four: Poetry 1903-1920, Prose, and Unpublished Writings, by Robinson Jeffers

Download PDF The Collected Poetry of Robinson Jeffers: Volume Four: Poetry 1903-1920, Prose, and Unpublished Writings, by Robinson Jeffers

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The Collected Poetry of Robinson Jeffers: Volume Four: Poetry 1903-1920, Prose, and Unpublished Writings, by Robinson Jeffers

The Collected Poetry of Robinson Jeffers: Volume Four: Poetry 1903-1920, Prose, and Unpublished Writings, by Robinson Jeffers



The Collected Poetry of Robinson Jeffers: Volume Four: Poetry 1903-1920, Prose, and Unpublished Writings, by Robinson Jeffers

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The Collected Poetry of Robinson Jeffers: Volume Four: Poetry 1903-1920, Prose, and Unpublished Writings, by Robinson Jeffers

Robinson Jeffers (1887-1962) is not only the greatest poet that California (and indeed the American West) has produced but a major poet of the twentieth century who occupies a prominent place in the tradition of American prophetic poetry.

Jeffers consciously set himself apart from the poetry of his generation—by physical isolation at his home in Carmel, by his unusual poetic form, and by his stance as an "anti-modernist." Yet his work represents a profound, and profoundly original, artistic response to problems that shaped modernist poetry and that still perplex poets today.

For Jeffers, as for no other important modern American poet, there has never been a collected poems, not even a truly representative selected poems—the current Selected Poetry, first published in 1938, contains no poems from the last three volumes published during Jeffers's lifetime or from his posthumous volume. Now, for the first time, all of Jeffers's completed poems, both published and unpublished, are presented in a single, comprehensive, and textually authoritative edition of five volumes.

The present volume is in three parts. "Poetry 1903-1920" consists of some of the poems published while Jeffers was a college student, two early collections (Flagons and Apples and Californians), and a number of poems that were never published or were recently rediscovered. "Introductions, Forewords, and Miscellaneous Prose, 1920-1948" gathers all the major prose works. "Unpublished Poems and Fragments, 1910-1962" is mostly material that Jeffers never published, and apparently never tried to publish. The fifth volume of commentary will contain various procedural explanations and textual evidence for the texts presented in the edition, as well as transcriptions of working notes for the poems and of alternate and discarded passages. The Collected Poetry is designed by Adrian Wilson.

  • Sales Rank: #190055 in Books
  • Brand: Brand: Stanford University Press
  • Published on: 2000-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.80" w x 7.50" l, 3.34 pounds
  • Binding: Hardcover
  • 592 pages
Features
  • Used Book in Good Condition

Review
"A masterful job of contemporary scholarly editing, this book begins an edition intended to clarify a 'Jeffers canon,' establishing for times to come the verse legacy of a poet who looked on all things with the eyes of eternity."—San Francisco Chronicle

"This edition will be standard . . . a tribute and justice to a poet whose independent strength has survived to challenge personal and public canons."—Virginia Quarterly Review

"Jeffers is the last of the major poets of his generation—Frost, Stevens, Williams, Pound, Moore, Eliot—to get his collected poems. Now that the job is at hand, it is done very well. . . . Tim Hunt has been painstaking in his editorial preparation and judicious in his presentation. . . . A great poet is ready for his due."—Philadelphia Inquirer

"Few American poets are treated as well by publishers as Jeffers is by Stanford University Press. . . . These poems represent a distinctive voice in the American canon, and it is good to have them so wonderfully set forth."—Christian Century

From the Inside Flap
Robinson Jeffers (1887-1962) is not only the greatest poet that California (and indeed the American West) has produced but a major poet of the twentieth century who occupies a prominent place in the tradition of American prophetic poetry.
Jeffers consciously set himself apart from the poetry of his generation—by physical isolation at his home in Carmel, by his unusual poetic form, and by his stance as an “anti-modernist.” Yet his work represents a profound, and profoundly original, artistic response to problems that shaped modernist poetry and that still perplex poets today.
For Jeffers, as for no other important modern American poet, there has never been a collected poems, not even a truly representative selected poems—the current Selected Poetry, first published in 1938, contains no poems from the last three volumes published during Jeffers’s lifetime or from his posthumous volume. Now, for the first time, all of Jeffers’s completed poems, both published and unpublished, are presented in a single, comprehensive, and textually authoritative edition of five volumes.
The present volume is in three parts. “Poetry 1903-1920” consists of some of the poems published while Jeffers was a college student, two early collections (Flagons and Apples and Californians), and a number of poems that were never published or were recently rediscovered. “Introductions, Forewords, and Miscellaneous Prose, 1920-1948” gathers all the major prose works. “Unpublished Poems and Fragments, 1910-1962” is mostly material that Jeffers never published, and apparently never tried to publish. The fifth volume of commentary will contain various procedural explanations and textual evidence for the texts presented in the edition, as well as transcriptions of working notes for the poems and of alternate and discarded passages. The Collected Poetry is designed by Adrian Wilson.

From the Back Cover
“A masterful job of contemporary scholarly editing, this book begins an edition intended to clarify a ‘Jeffers canon,’ establishing for times to come the verse legacy of a poet who looked on all things with the eyes of eternity.”—San Francisco Chronicle
“This edition will be standard . . . a tribute and justice to a poet whose independent strength has survived to challenge personal and public canons.”—Virginia Quarterly Review

Most helpful customer reviews

2 of 2 people found the following review helpful.
Fascinating collection of California poetry
By Linda
I was familar with Jeffers from other collections of poetry, but reading a collection of his own poetry is very interesting. Being from the coastal area and reading his poetry about the lives of the people who have settled in Big Sur and other nearby areas is fascinating. The short and long poems catch the atmosphere, the geography and the personalities of people who have lived here with the beauty of poetic language. The comments about his life and development as a poet are quite helpful. A good book for someone interested in Coastal California poetry in its formative years.

2 of 2 people found the following review helpful.
Early and Unpublished Jeffers
By Don Colberg
A must for the Jeffers completist. His early poems were not his best, but they are essential for an understanding of the poet. And Stanford University Press has produced an unusually handsome volume.

0 of 0 people found the following review helpful.
Used is good
By Mick McAllister
At $17 (current used copy price), this is a real find. Jeffers scholars are obsessed by the apparent huge leap from Jeffers' early work to "Tamar." This book will give you the opportunity to look at the stepping stones. It's no place to begin (there's no better beginning than to pick up Roan Stallion, Tamar, and Other Poems, sadly out of print for decades. Or, if you trust my judgment, look for a used copy of the original Random House Selected Poems, selected by Jeffers in 1938 and often easy to find for under $10), but it offers a nice feast for the Jeffers enthusiast. One long section collects most of Jeffers' prose writings, not easily accessible anywhere else. This is also the inexpensive way to get the two early books, Flagons and Apples and Californians. The former is a self-published and fairly juvenile collection of love poems, but the second, though its debt to Wordsworth is considerable, segues nicely into the mature work. Among the unpublished poems are four that celebrate the Russian Revolution -- a topic that illuminates nicely Jeffers' evolving politics. If you can still get it for less than $20, grab it.

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# Ebook Free Creative Reckonings: The Politics of Art and Culture in Contemporary Egypt (Stanford Studies in Middle Eastern and I), by Jessica Winegar

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Creative Reckonings: The Politics of Art and Culture in Contemporary Egypt (Stanford Studies in Middle Eastern and I), by Jessica Winegar

The Egyptian art world is the oldest and largest in the Arab Middle East. Its artists must reckon with the histories of ancient Egypt, European modernism, anti-colonial nationalism, and state socialism-all in the context of a growing neoliberal economy marked by American global dominance. At this crucial intersection of culture, politics, and economy, Egypt's art and artists provide unique insight into current struggles for cultural identity and sovereignty in the Middle East. This book examines the heated cultural politics in today's Arab world, and tells how art-making has become an unexpectedly central part of that. It offers a lively analysis of the battles between artists, curators, and audiences over cultural authenticity, cultural policy, public art in a changing urban Egypt, and the new global marketing of Egyptian art. The art world it shows powerfully exemplifies how people in the Middle East reckon with global transformations that are changing how culture is made in societies with colonial and socialist pasts.

  • Sales Rank: #248331 in Books
  • Published on: 2006-10-11
  • Released on: 2006-10-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.20 pounds
  • Binding: Paperback
  • 416 pages

Review
"The extraordinary strengths of this book lie in its thorough ethnography, its theorizing of artistic impulse and resulting artistic work in terms of class and the political economy of the time, and its fine treatment of modernity through the lens of art. WInegar offers a wonderful critique of Enlightenment thinking in an Egyptian context, taking on individualism and other Western-derived concepts of modernity as she goes."—Virginia Danielson, The Journal of Coparative Studies in Society and History

"Through the perspective of the social institutions where art is produced and discussed, sold and collected, this book presents an exciting and smart account of modern Egyptian culture. It will immediately become the most important work on the subject."—Elliott Colla, Brown University

"In a very compelling and lively style, Jessica Winegar examines the world of fine art in Egypt to provide us keen insights into the turmoils and opportunities afforded by today's fastmoving neoliberal openings. Reading this book was a great delight."—Ted Swedenburg, University of Arkansas, coeditor of Palestine, Israel, and the Politics of Popular Culture

"Through this rich account of the practice of modern art in a postcolonial setting, Jessica Winegar offers a brilliant analysis of how an art world is fashioned as an arena of cultural politics and a means of reckoning with the multiple experiences of modernity." —Tim Mitchell, New York University

"As the only study of its kind to date, and for its sensitive view of the conditions of artistic culture in modern Egypt, Creative Reckonings is an invaluable contribution to studies of the modern Middle East, post-Arab socialist cultural history, and anthropologies of modern and contemporary art." —Arab Studies Journal

From the Inside Flap
The Egyptian art world is the oldest and largest in the Arab Middle East. Its artists must reckon with the histories of ancient Egypt, European modernism, anti-colonial nationalism, and state socialism-all in the context of a growing neoliberal economy marked by American global dominance. At this crucial intersection of culture, politics, and economy, Egypt's art and artists provide unique insight into current struggles for cultural identity and sovereignty in the Middle East.
This book examines the heated cultural politics in today's Arab world, and tells how art-making has become an unexpectedly central part of that. It offers a lively analysis of the battles between artists, curators, and audiences over cultural authenticity, cultural policy, public art in a changing urban Egypt, and the new global marketing of Egyptian art. The art world it shows powerfully exemplifies how people in the Middle East reckon with global transformations that are changing how culture is made in societies with colonial and socialist pasts.

From the Back Cover
“Through the perspective of the social institutions where art is produced and discussed, sold and collected, this book presents an exciting and smart account of modern Egyptian culture. It will immediately become the most important work on the subject.”—Elliott Colla, Brown University
“In a very compelling and lively style, Jessica Winegar examines the world of fine art in Egypt to provide us keen insights into the turmoils and opportunities afforded by today's fastmoving neoliberal openings. Reading this book was a great delight.”—Ted Swedenburg, University of Arkansas, coeditor of Palestine, Israel, and the Politics of Popular Culture

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^ Fee Download European Feminisms, 1700-1950: A Political History, by Karen Offen

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European Feminisms, 1700-1950: A Political History, by Karen Offen

This ambitious book explores challenges to male hegemony throughout continental Europe. It focuses especially on France, but it also offers comparative material on developments in the German-speaking countries and in the smaller European nations and aspiring nation-states. Spanning 250 years, the sweeping coverage extends from Portugal to Poland, Greece to Finland, Ireland to Ukraine, and Spain to Scandinavia—as well as international and transnational feminist organizations.

The study has several objectives. For general readers and those interested primarily in the historical record, it provides a comprehensive, comparative account of feminist developments in European societies, as well as a rereading of European history from a feminist perspective. By placing gender, or relations between women and men, at the center of European politics, where the author argues that it belongs but from which it has long been marginalized, the book aims to reconfigure our understanding of the European past and to make visible a long but neglected tradition of feminist thought and politics.

On another level, by providing a broad and accurate historical analysis, the book seeks to disentangle some misperceptions and to demystify some confusing contemporary debates about the Enlightenment, reason, nature, equality vs. difference, and public vs. private, among others. The author argues that historical feminisms offer us far more than logical paradoxes and contradictions; feminisms are about sexual politics, not philosophy. Feminist victories are not, strictly speaking, about getting the argument right, nor is gender merely “a useful category of analysis”; sexual difference lies at the heart of human thought and politics.

  • Sales Rank: #1346644 in Books
  • Published on: 1999-11
  • Released on: 2000-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.20" w x 6.00" l, 1.69 pounds
  • Binding: Paperback
  • 560 pages

Review
"This is an important work both for its recovery of little-studied aspects of European feminisms and for the reinterpretation of their main strands. The author's ability to situate feminisms squarely in the political and intellectual history of Europe, as well as in various chronological, geographical, and ideological contexts, is particularly impressive."—Mary Lynn Stewart, Simon Fraser University

"[European Feminisms] is clear, sensible, and forceful, and it never lapses into jargon or anachronism. It offers a rich account of the aspirations, illusions, disillusions, flounderings, achievements, and advances of a compelling cause." —Phi Beta Kappa Key Reporter

"European Feminisms provides the best-documented and most synthetic survey of the European-wide [feminist] effort to date."—Journal of Women's History

"Karen Offen's long-awaited book provides an ambitious and substantially fascinating comparative narrative of themes in the history of European feminism. . . . This is a thoroughly reasearched, bibliographically impeccable, and interpretatively feisty history."—Europe: Early Modern and Modern

"Offen's history of European feminisms since 1700 is a fascinating tale of the complex relationship between political, state and feminist pragmatics. It will contribute to debates about what counts as a certain gain for feminism."—Canadian Journal of Political Science
"[European Feminisms] will become an indispensable research tool for students and scholars. . . . By its range and research this represents a remarkable scholarly work and integrates the history of feminism convincingly into mainstream history. European Feminisms provides a record of feminims' struggles as being fundamentally political and is itself a work of politics as well as of history."—Women's History Review
"[European Feminisms] marks a milestone in recent scholarship in women's history and particularly the history of feminism. The originality of the book lies not only in its reinterpretation of the history of feminism but also in its inclusion of countries usually considered to be on the periphery of European history."—The Historian
"The most comprehensive analysis of European feminism to date."—The Historian
"European Feminisms is a book that could be used in a wide variety of undergraduate and graduate courses in Women's Studies and gender studies, history, philosophy, and literature. Offen writes clearly, cogently, and persuasively . . . .For contemporary feminists, European Feminisms offers invaluable lessons from the past for the future."—NWSA Journal
“...in the tremendous breadth of its coverage, this book is a tour de force; there is none that compares.”—Journal of Modern History

From the Inside Flap
This ambitious book explores challenges to male hegemony throughout continental Europe. It focuses especially on France, but it also offers comparative material on developments in the German-speaking countries and in the smaller European nations and aspiring nation-states. Spanning 250 years, the sweeping coverage extends from Portugal to Poland, Greece to Finland, Ireland to Ukraine, and Spain to Scandinavia—as well as international and transnational feminist organizations.
The study has several objectives. For general readers and those interested primarily in the historical record, it provides a comprehensive, comparative account of feminist developments in European societies, as well as a rereading of European history from a feminist perspective. By placing gender, or relations between women and men, at the center of European politics, where the author argues that it belongs but from which it has long been marginalized, the book aims to reconfigure our understanding of the European past and to make visible a long but neglected tradition of feminist thought and politics.
On another level, by providing a broad and accurate historical analysis, the book seeks to disentangle some misperceptions and to demystify some confusing contemporary debates about the Enlightenment, reason, nature, equality vs. difference, and public vs. private, among others. The author argues that historical feminisms offer us far more than logical paradoxes and contradictions; feminisms are about sexual politics, not philosophy. Feminist victories are not, strictly speaking, about getting the argument right, nor is gender merely “a useful category of analysis”; sexual difference lies at the heart of human thought and politics.

From the Back Cover
“This is an important work both for its recovery of little-studied aspects of European feminisms and for the reinterpretation of their main strands. The author’s ability to situate feminisms squarely in the political and intellectual history of Europe, as well as in various chronological, geographical, and ideological contexts, is particularly impressive.”—Mary Lynn Stewart, Simon Fraser University
“[European Feminisms] is clear, sensible, and forceful, and it never lapses into jargon or anachronism. It offers a rich account of the aspirations, illusions, disillusions, flounderings, achievements, and advances of a compelling cause.” —Phi Beta Kappa Key Reporter

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13 of 13 people found the following review helpful.
European Feminisms Rediscovered
By Carolyn Eichner
Karen Offen's newest work, the groundbreaking European Feminisms: 1700 - 1950, seeks to rediscover, contextualize, and historically analyze the ideas and actions of feminist women and men during the eighteenth, nineteenth, and the first half of the twentieth century. Offen succeeds not merely in filling in the blanks (and they are many) in our historical memory of the wide array of feminists and feminisms during this period, but more significantly, in taking steps to reconceptualize our understanding of this era in European history.
She does this, as she explains, "By placing gender, or relations between women and men, at the center of European politics..." In other words, European history, as traditionally conceived, presents a skewed and partial picture of the past - a portrayal made possible by the systematic marginalization and erasure of feminists and feminisms. The traditional conceptualization of European history has also relied on a refusal to recognize gender as central to human relations. For the past three decades feminist historians, Offen among the most widely known and highly respected of them, have worked to re-think and re-write the histories of many peoples and nations.
This book utilizes the work of this generation of European historians, synthesizing and reconceptualizing their arguments, while building upon their research with an expansive array of published primary sources, to create this wide-ranging, extraordinarily researched text. Relying on the axiom that knowledge is power, and "partial knowledge, or lack of knowledge, can disempower" (p.3), Offen provides a clear explanation for the historical evaporation of our feminist past. Without the knowledge of previous generations of feminists, each subsequent (re)emergence of feminist activists is forced to "reinvent the wheel." Initiating a movement for social change undoubtedly poses greater challenges and barriers than carrying on a long-standing tradition, replete with role models, icons, and heros. Burying these images and memories stymies, or eradicates, their power as inspirational examples to future feminists.
As European Feminisms elucidates, for each feminist action there has been an (if not always equal) opposite reaction. Offen explicates the nineteenth century efforts to exclude women from public and political life as a backlash against women's activism during the French Revolution, the groundswell of male writers reasserting and rejustifying patriarchy as a reaction in the wake of the feminist resurgence during the 1848 European upheavals, and efforts "to put a stop to feminist aspirations and to channel women's movements for their own ends" as central to the rise and support of fascist movements (p.311). The implications behind this history make this, as Offen contends, "a political guidebook, a political act" (p. 395). Writing history is a political act, whether one of political complacency and acceptance, or of action and challenge. Offen presents us with a beautifully composed, intellectually rigorous re-examination and revaluation of the European past. As an historian of nineteenth century France, I have found this book provocative and intellectually engaging. Students in my undergraduate "Women in Modern Europe" class thoroughly enjoyed the text, voting it their favorite of the five books assigned for the course. European Feminisms: 1700 - 1950 will assuredly stimulate and enlighten the scholar, student, or casual reader.

9 of 9 people found the following review helpful.
Celebrating feminism
By Ann T. Allen
Feminism was and is among the broadest and most radical political movements of modern times--it concerns itself with a group, women, which makes up more than one half of the human race and with a form of oppression, patriarchy, which is certainly among the oldest and the most widespread. But in spite of its historical importance this movement has received so little attention in the mainstream of historical research that one can almost speak of an erasure of the feminist past. The "new" feminists of the 1970s were so unaware of this history that they believed that they had to reinvent feminism. A generation of scholars, resolved that the feminist movement must never again slip into oblivion, has reconstructed many aspects of its history. Without this research, the broad and synthetic work that Karen Offen presents to us would not have been possible. But Karen Offen, a well-known historian of France and the editor of several valuable collections of documents on women's history, is in many ways critical of this body of research. Historians, she charges, have too often evaluated feminists of past generations by present-day standards, and have criticized or rejected these feminists because they did not conform to today's feminist orthodoxies. Karen Offen, by contrast, places feminist movements in their historical context, which in this volume is the history of Europe from 1700 to about 1950. And, though she admits that many feminists made mistakes, her purpose is chiefly to praise these courageous women and men who, often against crushing opposition, identified, protested, and struggled against the subordination of women in all its varied manifestations. "They deserve," she writes, "not only to be recognized and remembered, but applauded and celebrated (16)." Offen actually writes, not about "feminism" but about "feminisms"--a very wide concept which includes conservative, liberal, socialist, Protestant, Catholic, Jewish, pacifist, and many other movements. And this is a truly path-breaking work. Most works on the history of feminism have confined themselves to a single national culture, and even the anthologies that have dealt with European women's history have focused chiefly on the European "great powers"--Britain, France, Germany, Italy. Offen's work includes these countries but also the many other European nations--for example, Sweden, Ireland, Poland, Switzerland--which are hardly ever included in English-language histories. The research for this book is amazingly broad, including a variety of sources in several languages. And all these diverse histories are integrated into a flowing historical narrative, which is both clear and readable. This international view of European feminism permits many comparative perspectives, which also challenge prevailing views of national feminist movements. For example, the German women's movement, seen in the shadow of National Socialism and the Holocaust, has often been accused of authoritarian and conservative tendencies--but in fact, the German movement before the First World War was one of Europe's most progressive. Karen Offen indicates in her title that her focus is on political rather than social history. Thus she does not tell us much about which women were attracted to feminism, and about how this feminist constituency differed in the various countries. This and many other questions remain to be explored. And because she generally rejects the differentiation between "socialist" and "bourgeois" (or middle-class) feminism, class differences among feminists are somewhat underestimated here. Karen Offen has given us an international context in which to explore such questions. Karen Offen believes that this story is relevant not only to scholars but to all readers. The history of feminism can not only instruct but also empower us. "We have an obligation," she states in her concluding chapter, "not only to contemplate this newly rediscovered history ourselves but to assure its transmission, to the best of our ability, to our daughters and sons, to our grandchildren and to their posterity (394)." This rich and informative work renews our commitment to this important task.

0 of 0 people found the following review helpful.
Five Stars
By Britt
Great Book, used it to reference and put into context some related topics! Get it, you won't be sorry!!!

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Kamis, 09 Oktober 2014

* Download Making Islam Democratic: Social Movements and the Post-Islamist Turn (Stanford Studies in Middle Eastern and I), by Asef Bayat

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Making Islam Democratic: Social Movements and the Post-Islamist Turn (Stanford Studies in Middle Eastern and I), by Asef Bayat

Whether Islam is compatible with democracy is an increasingly asked question, but ultimately a misguided one. In this book, Asef Bayat proposes that democratic ideals have less to do with the essence of any religion than with how it is practiced. He offers a new approach to Islam and democracy, outlining how the social struggles of student organizations, youth and women's groups, the intelligentsia, and other social movements can make Islam democratic.

Making Islam Democratic examines in detail those social movements that have used religion to unleash social and political change, either to legitimize authoritarian rule or, in contrast, to construct an inclusive faith that embraces a democratic polity. It provides a fresh analysis of Iran's 1979 Islamic revolution—how it has evolved into the pervasive, post-Islamist reform movement of the early twenty-first century, and how it differed from Egypt's religious "passive revolution."

Focusing on events from the Iranian Revolution to the current day, with a comparative focus on Islamism, post-Islamism, and active religious expression across the region, Bayat explores the highly contested relationship between religion, politics, and the quotidian in the Middle East. His book provides an important understanding of the great anxiety of our time—the global march of "Muslim rage"—and offers a hopeful picture of a democratic Middle East.

  • Sales Rank: #441473 in Books
  • Published on: 2007-05-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.00" l, .87 pounds
  • Binding: Paperback
  • 320 pages

Review
"Asef Bayat's Making Islam Democratic deserves the close attention of social scientists working at the intersection of religion, politics, and society. Bayat's central aim is to challenge the pervasive question of whether or not Islam is compatible with democracy. Through a rich comparative study of social movements in Egypt and Iran, Bayat persuasively argues that the persistent question of Islam and democracy is one that is fundamentally misguided . . . Bayat's rich empirical analysis is among the best of recent work on social movements in the region . . . Bayat's study therefore contributes to a growing body of literature concerned with the various trajectories of Islamist movements and parties throughout the region. While most political scientists examine how political institutions shape the likely political trajectories of Islamist parties, Bayat's focus on the social trajectory of these movements provides a rich addition to the literature."—Tamir Moustafa, MESA Bulletin
"Bayat is an innovative urban social movement theorist whose field research has contributed to a better understanding of social change in the Middle East and the theoretical significance of bottom-up movements as opposed to top-down organized political change . . . Highly Recommended."—A. Mahdi, emeritus, Ohio Wesleyan University
"Bayat's approach also abandons the clear dichotomies between state and nonstate actors and between behavioral and ideological moderation. The result is a sharp analysis that accounts for substantial change within a society that continues to hold a strong religious identity, both socially and within the state."—Jillian Schwedler, World Politics

"This is an excellent political and sociological comparison between Egypt and Iran based on direct personal observation of both countries, which gives this work a subtlety and authority lacking in many academic accounts of the region . . . Bayat skillfully interweaves social, economic and political change with intellectual debate in both countries. He pays close attention to the idiom of debate on religion and politics, yet he shows successfully that Muslim politics is better understood by how Muslims practice politics than by how they define it."—Muslim World Book Review

"Asef Bayat is a privileged observer of two crucial arenas of Muslim politics and society. Iranian by birth and education, he lived through the 1979 Revolution and studied its politics closely. Subsequently he lived and worked in Egypt, and got to know that country intimately. Switching his focus between the two, Bayat provides a powerful contrast between different kinds of Islamic society."—New Humanist

"Relying mostly on experiences in Iran and Egypt and using a variety of Persian, Arabic, and Western sources, Bayat has written a masterly and intellectually challenging comparative analysis of social movements, including post-Islamic ones, and their impact on the ongoing debate over democratization in the Muslim Middle East."—Library Journal

"Making Islam Democratic is a breakthrough book at the level of Robert Putnam's Making Democracy Work. Part autobiographical and always incisive, Making Islam Democratic shows the opportunities and obstacles to making Islam compatible with democracy, focusing incisively on practice—how political and religious activists and thinkers in Iran and Egypt have struggled over peoples' imaginations and competed for the control of key institutions that define core social and political values. This book is a must-read for anyone concerned with the future of democracy in Muslim-majority societies."—Dale F. Eickelman, co-author of Muslim Politics.
"In a commanding and detailed overview of the contemporary Middle East, Asef Bayat provides a unique account of the region today, in terms of ideologies, social movements and state power. Almost alone amongst scholars of the region in having expertise on both Iran and the Arab world, and with a deep commitment to combining regional knowledge with social theory, Bayat has produced a work of originality and quality. His exploration of the category 'post-Islamism,' when so many in the Middle East and the West stress the impact of Islamism itself, sets this work apart from so many prevailing, repetitive and introverted, discussions of the region."—Professor Fred Halliday, London School of Economics, Fellow of the British Academy
"Unquestionably the best book I have read on Islamic trends in Iran and Egypt. Bayat, combining sociological sophistication with sharply detailed observation, offers hearty fare for those who are tired of the thin gruel served up elsewhere."—Richard W. Bulliet, Columbia University, author of The Case for Islamo-Christian Civilization
"Asef Bayats lucid and authoritative study sheds much-needed light on the vexed topic of Islam and democracy. Though Bayat sees no necessary hostility between the two, Muslims in the Middle East are in practice caught between authoritarian regimes, authoritarian Islamist oppositions, and foreign military occupation. Nonetheless, focusing on Iran and Egypt, he sees grounds for hope, mainly in post-Islamist social movements which may establish a presence in civil society sufficient to force concessions from the regimes. Since their problems have recently become our problems too, this excellent book should be very widely read."—Michael Mann, University of California, Los Angeles, author of Sources of Social Power
"Bayat offers a new approach to the study of Islam and democracy by asking how social movements such as students' and women's groups could make Muslim societies (rather than 'Islam' per se) democratic. The author's decades of professional experience in Iran and Egypt assist him in establishing a balanced approach in his comparative study."—CHOICE
"This book is a must-read for serious students of the politics of the Middle East, both inside and outside the academy. Every graduate student working on the politics of the region needs to read it. The chapters analyzing Iranian and Egyptian politics over the last three decades are brilliant synopses, full of rich empirical detail while presenting clear arguments about their different trajectories."—FG Gause III, Department of Political Science, University of Vermont
"Making Islam Democratic is a key acquisition for any college-level collection strong in Middle East studies. It offers . . . a fine analysis of the contemporary Iranian revolution and its evolution."—California Bookwatch

From the Inside Flap
Whether Islam is compatible with democracy is an increasingly asked question, but ultimately a misguided one. In this book, Asef Bayat proposes that democratic ideals have less to do with the essence of any religion than with how it is practiced. He offers a new approach to Islam and democracy, outlining how the social struggles of student organizations, youth and women’s groups, the intelligentsia, and other social movements can make Islam democratic.
Making Islam Democratic examines in detail those social movements that have used religion to unleash social and political change, either to legitimize authoritarian rule or, in contrast, to construct an inclusive faith that embraces a democratic polity. It provides a fresh analysis of Iran’s 1979 Islamic revolution—how it has evolved into the pervasive, post-Islamist reform movement of the early twenty-first century, and how it differed from Egypt’s religious “passive revolution.”
Focusing on events from the Iranian Revolution to the current day, with a comparative focus on Islamism, post-Islamism, and active religious expression across the region, Bayat explores the highly contested relationship between religion, politics, and the quotidian in the Middle East. His book provides an important understanding of the great anxiety of our time—the global march of “Muslim rage”—and offers a hopeful picture of a democratic Middle East.

From the Back Cover
“In a commanding and detailed overview of the contemporary Middle East, Asef Bayat provides a unique account of the region today, in terms of ideologies, social movements and state power. Almost alone amongst scholars of the region in having expertise on both Iran and the Arab world, and with a deep commitment to combining regional knowledge with social theory, Bayat has produced a work of originality and quality. His exploration of the category 'post-Islamism.’ when so many in the Middle East and the West stress the impact of Islamism itself, sets this work apart from so many prevailing, repetitive and introverted, discussions of the region.”
—Professor Fred Halliday, London School of Economics, Fellow of the British Academy


“Unquestionably the best book I have read on Islamic trends in Iran and Egypt. Bayat, combining sociological sophistication with sharply detailed observation, offers hearty fare for those who are tired of the thin gruel served up elsewhere.”
—Richard W. Bulliet, Columbia University, author of The Case for Islamo-Christian Civilization

Most helpful customer reviews

2 of 2 people found the following review helpful.
A key acquisition for any college-level collection
By Midwest Book Review
MAKING ISLAM DEMOCRATIC: SOCIAL MOVEMENTS AND THE POST-ISLAMIC TURN is a key acquisition for any college-level collection strong in Middle East studies. It offers a focus on events from Iran's 1979 Islamic revolution to modern times, considering religion, politics and everyday life in the Middle East and providing a fine analysis of the contemporary Iranian revolution and its evolution. Asef Bayat is Academic Director of the International Institute for the Study of Islam in the Modern World, and lends authority and insight to his review of the modern Middle East world.

Diane C. Donovan
California Bookwatch

1 of 1 people found the following review helpful.
Good Comparative Study
By Stephen List
The book is readily accessible for those with little or no knowledge on either nations or Islam in general. Bayat covers Iran and Egypt and their own perspective democratic movements. His main inquiry throughout the book is how could Iran have an Islamic Revolution with out an Islamic movement while Egypt could not have an Islamic Revolution with an Islamic Movement. Bayat spends a majority of the time focusing on Iran after the revolution and Egypt from the early 70's to late 90's. If you are looking for a brief contemporary history on Iran and Egypt I would recommend it. It's a quick read and can keep your attention. For those with a little more experience with both nations I would still recommend the book due the nature of exploring deeper questions as to whether Islam is inherently authoritarian.

1 of 2 people found the following review helpful.
Making Islam Democratic
By Vladimir Pilar
" Making Islam Democratic " It is interesting but incomplete as it covers only 2 countries.
A negative is also that it is very dry reading which seems to be directed to a prfessorial
reader/audience.

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