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This is the first comprehensive biography in any language of Russia’s leading statesman in the period following the Revolution of 1905. Prime Minister and Minister of Internal Affairs from 1906 to 1911 (when he was assassinated), P. A. Stolypin aroused deep passions among his contemporaries as well as subsequent historians.

In the twilight of Nicholas II’s reign he was virtually the only man who seemed to have a clear notion of how to reform the socioeconomic and political system of the empire. His efforts in that direction—in agriculture, local administration, religious freedom, social legislation, the legal system—were radically new departures for the Russian state. His detractors disdained him as a power-hungry, coldhearted politician who was unscrupulous in pursuing his own career and would use any means to restore the tsarist autocracy following the frightening turbulence of 1905. Stolypin’s admirers, however, argued that he was a man of vision who pursued policies that would have transformed the country into a modern state with social and political institutions comparable to those of the West.

Lenin’s celebrated denunciation of Stolypin as “hangman-in-chief” set the tone for official Soviet work on his career. In the West, some historians and émigré writers, most notably Aleksandr Solzhenitsyn, erred in the opposite direction. By contrast, this book—on the basis of extensive Russian archival documentation only recently available to historians—seeks to provide a balanced portrait of Stolypin that encompasses the complex, even divergent, impulses that motivated him.

Although Stolypin did not shrink from the use of force to stamp out unrest, he lamented the shedding of blood and much preferred nonviolent means to curb the opposition. In foreign affairs, he was uncompromising in his insistence that Russia should avoid entanglements that could lead to military conflict. To be sure, he was deeply committed to monarchical rule, but he did not consider it advisable to abolish the elected legislature or to deprive it of its authority. Stolypin’s program, a blend of reformism, authoritarianism, and nationalism, was more likely than any other to lead Russia toward social and political stability. But Tsar Nicholas II, his entourage, and ultra-conservatives could not bring themselves to yield a portion of their privileges and prerogatives in return for a reduced, though still significant, role in a changed Russia. They succeeded in undermining the Prime Minister’s attempts at fundamental reform and thus scuttled Imperial Russia’s last such attempt before its demise.

• Sales Rank: #1830173 in Books
• Brand: Brand: Stanford University Press
• Published on: 2002-12-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.20" w x 6.00" l, 1.46 pounds
• Binding: Paperback
• 484 pages

Features

• Used Book in Good Condition

Review
"In a major speech last year, Russian President Vladimir Putin referred to Stolypin in laudatory terms, . . . presumably a signal of Mr. Putin's own intended balancing act between reformer and authoritarian tough-guy. With Mr. Ascher's highly readable biography, we're all better placed to understand the legacy that Mr. Putin inherits. . . . A book well worth waiting for. . . . P. A. Stolypin is carefully researched, well argued, and highly readable."—Wall Street Journal

"The first major biography of Petr Arkadevich Stolypin, prime minister and minister of internal affairs of the Russian Empire from 1906 unitl his assassination in 1911. This is a major contribution to our understanding of these important years following the 1905 revolution and will be welcomed by all students of the period."—History

"This book makes a significant contribution to our understanding of Stolypin . . . more than any previous work, it examines thoroughly and in detail the major episodes of Stolypin's political career. Ascher's treatment of these controversial issues is invariably careful, judicious, and illuminating. . . . Ascher has plumbed archives not just in Russia, but in Helsinkin, Bonn, and Vienna and in a wealth of documentation goes far beyond previous studies. . . . There will always be a place for thoroughly researched, carefully thought-through, and well written narrative history. Abraham Ascher's Stolypin is a fine example of this genre and is required reading for any serious study of Russian history."—Theodore R. Weeks, Southern Illinois University, Carbondale

"[A] definitive account of Stolypin's achievements and shortcomings."—European History

"His work may well set off a new trend in the scholarly investigation of prerevolutionary Russia."—American Historical Review
"Ascher's masterful account gives the prime minister the credit that he deserves, but it also creates the sad image of a well-intentioned reformer who was the victim of his devotion to the monarchy (so inadequately embodied in Nicholas II), of his own uncompromising nature, and of his readiness to use illegal means to implement reforms."—The Journal of Interdisciplinary History
"...this elegantly argued and well-written book throws new light on a controversial figure...and deserves the wider audience that a paperback edition would make possible."—David A.J. Macey, Middlebury College

From the Inside Flap
This is the first comprehensive biography in any language of Russia’s leading statesman in the period following the Revolution of 1905. Prime Minister and Minister of Internal Affairs from 1906 to 1911 (when he was assassinated), P. A. Stolypin aroused deep passions among his contemporaries as well as subsequent historians.
In the twilight of Nicholas II’s reign he was virtually the only man who seemed to have a clear notion of how to reform the socioeconomic and political system of the empire. His efforts in that direction—in agriculture, local administration, religious freedom, social legislation, the legal system—were radically new departures for the Russian state. His detractors disdained him as a power-hungry, coldhearted politician who was unscrupulous in pursuing his own career and would use any means to restore the tsarist autocracy following the frightening turbulence of 1905. Stolypin’s admirers, however, argued that he was a man of vision who pursued policies that would have transformed the country into a modern state with social and political institutions comparable to those of the West.
Lenin’s celebrated denunciation of Stolypin as “hangman-in-chief” set the tone for official Soviet work on his career. In the West, some historians and émigré writers, most notably Aleksandr Solzhenitsyn, erred in the opposite direction. By contrast, this book—on the basis of extensive Russian archival documentation only recently available to historians—seeks to provide a balanced portrait of Stolypin that encompasses the complex, even divergent, impulses that motivated him.
Although Stolypin did not shrink from the use of force to stamp out unrest, he lamented the shedding of blood and much preferred nonviolent means to curb the opposition. In foreign affairs, he was uncompromising in his insistence that Russia should avoid entanglements that could lead to military conflict. To be sure, he was deeply committed to monarchical rule, but he did not consider it advisable to abolish the elected legislature or to deprive it of its authority. Stolypin’s program, a blend of reformism, authoritarianism, and nationalism, was more likely than any other to lead Russia toward social and political stability. But Tsar Nicholas II, his entourage, and ultra-conservatives could not bring themselves to yield a portion of their privileges and prerogatives in return for a reduced, though still significant, role in a changed Russia. They succeeded in undermining the Prime Minister’s attempts at fundamental reform and thus scuttled Imperial Russia’s last such attempt before its demise.

From the Back Cover
"In a major speech last year, Russian President Vladimir Putin referred to Stolypin in laudatory terms, . . . presumably a signal of Mr. Putin's own intended balancing act between reformer and authoritarian tough-guy. With Mr. Ascher's highly readable biography, we're all better placed to understand the legacy that Mr. Putin inherits. . . . A book well worth waiting for. . . . P. A. Stolypin is carefully researched, well argued, and highly readable."—Wall Street Journal
“The first major biography of Petr Arkadevich Stolypin, prime minister and minister of internal affairs of the Russian Empire from 1906 unitl his assassination in 1911. This is a major contribution to our understanding of these important years following the 1905 revolution and will be welcomed by all students of the period.”—History

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• Sales Rank: #531911 in Books
• Brand: Brand: Stanford Law and Politics
• Published on: 2006-06-05
• Released on: 2006-06-05
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .80" w x 6.00" l, 1.10 pounds
• Binding: Paperback
• 360 pages

Features

• Used Book in Good Condition

Review
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"Together with their previous collaborative works on cause lawyers, Austin Sarat and Stuart Scheingold have taught us a great deal about the utility of lawyers and legal rights for social and political change, usefully highlighted the political significance of studying the practices of public interest lawyers in a politics of rights, and helped set an agenda for exciting and politically relevant research."—The Law and Politics Book Review

From the Inside Flap
Cause Lawyers and Social Movements seeks to reorient scholarship on cause lawyers, inviting scholars to think about cause lawyering from the perspective of those political activists with whom cause lawyers work and whom they seek to serve. It demonstrates that while all cause lawyering cuts against the grain of conventional understandings of legal practice and professionalism, social movement lawyering poses distinctively thorny problems.
The editors and authors of this volume explore the following questions: What do cause lawyers do for, and to, social movements? How, when, and why do social movements turn to and use lawyers and legal strategies? Does their use of lawyers and legal strategies advance or constrain the achievement of their goals? And, how do movements shape the lawyers who serve them and how do lawyers shape the movements?

From the Back Cover
“This work examines the unique position of lawyers committed both to profession and to cause. The wide variety of social movements described in the book offers a natural setting for asking how politically committed collective clients shape the lawyer's role and the tension this poses for professional responsibility.”—Richard Abel, UCLA School of Law
“Cause Lawyers and Social Movements presents a rich range of case studies of the interaction between lawyering and social movement.”—Lucie White, Harvard Law School

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1 of 1 people found the following review helpful.
Inspiration for lawyers with vision
By Orlaith
Once upon a time in the seventies, social justice movements 'found' lawyers. Nowadays, lawyers are more likely to need to go out and find those movements. This pithy history of the pivotal role lawyers have played in advancing progressive causes offers a timely reminder to todays' bar school grads to stretch their vision of what the law can do. More than a medium for corporations seeking their profitable edge, the values enshrined in the legal system are the very lifeblood of civic cohesion. While Sarat & Scheingold's tone can verge on the dry, the wealth of case studies here form a living history capable of inspiring good works.

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** PDF Download In the Time of Oil: Piety, Memory, and Social Life in an Omani Town, by Mandana Limbert

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Before the discovery of oil in the late 1960s, Oman was one of the poorest countries in the world, with only six kilometers of paved roads and one hospital. By the late 1970s, all that had changed as Oman used its new oil wealth to build a modern infrastructure. In the Time of Oil describes how people in Bahla, an oasis town in the interior of Oman, experienced this dramatic transformation following the discovery of oil, and how they now grapple with the prospect of this resource's future depletion.

Focusing on shifting structures of governance and new forms of sociality as well as on the changes brought by mass schooling, piped water, and the fracturing of close ties with East Africa, Mandana Limbert shows how personal memories and local histories produce divergent notions about proper social conduct, piety, and gendered religiosity. With close attention to the subtleties of everyday life and the details of archival documents, poetry, and local histories, Limbert provides a rich historical ethnography of oil development, piety, and social life on the Arabian Peninsula.

• Sales Rank: #1091567 in Books
• Published on: 2010-06-07
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .70" w x 6.00" l, .79 pounds
• Binding: Paperback
• 264 pages

Review
"This is a timely and important book that highlights the power of ethnography to engage questions that cut across scale and national boundaries. Bringing to the center notions of mobility and belonging that exceed national frames, it adds to an emergent field of scholarship on the Indian Ocean, the Arabian Peninsula, and other fluid transregional spaces."—Jatin Dua, Arab Studies Journal Reviews

"A thoroughly refreshing exploration of a Gulf community's experiences of the sudden changes that come with the discovery of oil, and its uncertainties about the future, given the knowledge the wells will one day run dry. Limbert skillfully shows how everyday understandings of an affluent present—what may be a dream time—rely on diverging conceptions of the past. Beautifully written and cogently argued, In the Time of Oil presents an insightful analysis of the impact of oil on the form and content of social relations."—Beth Baron, CUNY Graduate Center, Editor of the International Journal of Middle East Studies

"In the Time of Oil is compelling ethnography. Mandana Limbert offers unusual insights into contemporary Arabian Peninsula society. She engages current thought on how memory and identity are forged and maintained in an era when both younger women and men have been 'schooled' by the state. This is an exemplary book for a region in which such books are few and far between."—Dale F. Eickelman, Dartmouth College

"Instead of beginning with gender segregation, veiling, honor, and modesty, Limbert considers how women's sociality must be understood in terms of political economy and transformations of modernity in Oman. This book is innovative, deeply interesting, and fascinating to read. I highly recommend it for graduate and undergraduate students as well as all anthropologists and historians of the Middle East."—Anne Meneley, Trent University

About the Author
Mandana Limbert is Associate Professor of Anthropology at Queens College and The Graduate Center of The City University of New York.

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0 of 0 people found the following review helpful.
Five Stars
By sikudhani
Excellent ethnography of life in an Omani town. Readable and engaging.

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Matilde Urrutia was poet Pablo Neruda's lover, muse, wife, and widow. The Nobel-laureate Chilean wrote The Captain's Verses and One Hundred Love Sonnets—two of the most celebrated volumes of love lyrics in modern Spanish letters—for her. In My Life with Pablo Neruda, Urrutia reveals her side of their famed romance. But her book is not simply a love story told by a muse; it is also a document of her life as the persecuted widow of a national hero. Her voice lifts out of the sorrow and violence of the military dictatorship that precipitated her beloved's death in 1973, to reaffirm the power of Neruda's own passionate voice.

My Life with Pablo Neruda opens with the dramatic events of September 11, 1973, with Augusto Pinochet's overthrow of the democratically elected socialist president of Chile, Salvador Allende. Devastated by the coup, the sixty-nine-year-old Neruda dies a few days later of a heart attack. Grief-stricken, Urrutia takes refuge in her memories, reeling back through time to recount the heady early days of her twenty-two-year romance with Neruda. Here, she reveals the birth of The Captain's Verses and divulges the secrets of their illicit marriage in Italy. Urrutia then returns to the grim reality she faces in Santiago in the mid-1970s, to describe life under the dictatorship. Harassed by Pinochet's henchmen, she becomes an exile within her own country, mourns the torture and disappearance of loved ones, and finally awakes from the stupor of sorrow and commits herself to using Neruda's words to lash out against the bloody regime.

Reading My Life with Pablo Neruda is like spending a long afternoon with Matilde Urrutia. In a conversational style, she brings Neruda to life, and he emerges as a vibrant, playful, and impatient man driven by unbounded appetites. At once humorous and heart-breaking, Urrutia's story makes for a fine domestic complement to Neruda's own lush memoirs.

• Sales Rank: #1172807 in Books
• Published on: 2004-09-29
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .90" w x 6.00" l, 1.19 pounds
• Binding: Hardcover
• 312 pages

From Publishers Weekly
Much like Chilean poet Neruda's own glittering lyrics, his muse and widow Urrutia has penned a memoir that sparkles freshly with a love of family, nature and homeland. Memorialized by the Nobel laureate in his poems as "Rosario" and as the woman with Medusa-like hair, Urrutia was first glimpsed by Neruda at a concert in 1946, but it was three years before they met again, when she became his nurse as he was recovering from phlebitis. Neruda had to flee Chile because of his political views, and Urrutia soon joined him, inaugurating this famed literary romance. Sandwiched between accounts of Neruda's death shortly after the Pinochet coup in 1973 and her own persecution by the Chilean government are Urrutia's lyrical reminiscences of her love with Neruda. "Our easygoing, playful friendship, which we had considered to be at most simply mischievous, had just transformed into a complicated battle of emotions. Now our relationship would bring us... an abundance of joy, but it would also bring us grief and desperation." Urrutia draws strength from her husband's writings after his death as she faces her fears of remaining silent in the face of injustice. Her graceful prose offers not only a glimpse of her life with the great poet but also a portrait of the nobility of suffering under an unjust political regime. B&w photos.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
In the midst of Pinochet's brutal 1973 military coup, Matilde Urrutia, poet Pablo Neruda's lover, wife, and muse, was left to mourn the great Nobel laureate, settle his disintegrated estate, hastily memorialize him in their looted Santiago home, and bury him under police watch. Having considered herself apolitical, Matilde suddenly understood Neruda's dedication to Chile, and drawing on hidden strength, she bravely preserved Neruda's legacy by smuggling his memoir out of the country. Here she offers her memoir, a loving and emotionally charged record that provides many heretofore missing pieces in the puzzle of Neruda's life. One only needs to read the intimate details of their first clandestine days together in Europe; their soulful, life-altering time in Switzerland and Capri; her heartbreaking miscarriages; and his poems reflecting these events, to understand the depth of their love. Given that it's the centenary of Neruda's birth, readers might wish for a tighter focus on the poet, but every intimate glimpse enhances our understanding and appreciation. Janet St. John
Copyright © American Library Association. All rights reserved

Review
“Urrutia draws strength from her husband’s writings after his death as she faces her fears of remaining silent in the face of injustice. Her graceful prose offers not only a glimpse of her life with the great poet but also a portrait of the nobility of suffering under an unjust political regime.” —Publishers Weekly

"In the category of personal accounts, Matilde Urrutia's autobiography is particularly important. She was not only the raison d'etre of One Hundred Love Sonnets but also the source of peace and domesticity in Neruda's mature life, and the keeper of the flame after his death." —Ilan Stavans,editor of The Poetry of Pablo Neruda and Professor of Latin American and Latino Culture, Amherst College

Most helpful customer reviews

20 of 20 people found the following review helpful.
Brilliant translation of an intimate portrait of Neruda
By ginger danken
Several years ago a friend brought me back Matilde's book from Chile, her original version in Spanish. I was eager to read it, as Matilde and Pablo were one of literature's greatest couples, and I had only, and the only biography I had read of Neruda at that time were his own Memoirs.

Unfortunately, though,it seemed she learned nothing about writing from her husband. The prose was dry and the tale took terrible turns in chronology, tone, and even voice--switching from first to third. Though she does offer some very special intimate glimpses into the poet and their fabled relationship, the writing distracted from any good biographical information that she provided.

But I recently came across a review on the web of this new translation, talking about how Ms. Giardino had transformed the original faults and created a new version which engages, without changing what Matilde wanted to say. I am normally a stickler for translations being faithful to the original, while knowing that they do have to balance the artistic translation as well. Ben Bellet's translations of Neruda for instance take way too much literary license as he creates new poems, not translations, new poems which are not just anywhere close to being faithful to Neruda's original words, but are just awful poems themselves.

But what Ms. Giardino has done is, literaly, exceptional. Matilde needed her work to be edited, and Giardino has done a masterful job of that, besides creating a translation into beautiful English prose. And--importantly--the book does not hide the fact that it has made these changes--it is honest in what it tried to achieve, and she is very successful. The result is a delightful read and a special view into a special relationship of one of the most special poets of all times. This of course is not a complete biography of Neruda, but rather it is a lovely tale of a muse and her poet-lover.

I think a new version of the Spanish should be published with Giardino's edits (again, noted clearly that it has been edited.) For Matilde's own original is simply inaccessible, the writing is a turn-off from the great history she wants to tell.

One of the most fascinating parts of the book deals with Matilde's account of Augusto Pinnochet's September 11, 1973 military coup which killed Pablo's amigo President Allende and led to the assassination and torture of many of his friends. He died two weeks later, as Matilde says, "of a broken heart" (as well as cancer.) Matilde's accounts of how the military destroyed their home and how his friends braved the dictatorship to march with the coffin of their poet through the streets of Santiago to the cemetery is truly moving.

Highly recommended.

10 of 10 people found the following review helpful.
Beautiful history of one of literature's greatest romances
By Chris Lantern
Matilde Urrutia, Neruda's third wife, was the subject of some of the greatest love poetry ever written. In this beautiful account of their life together, one gains gorgeous insight not only to their love, but to the character of the great poet Neruda, a view unavailable in other biographies. You also learn the tragic history of Chile and Neruda's involvment in it.

Having read the original in Spanish, I can say that Alexandra Giardino's adaptation is a masterpiece in literary translation. The book reads so much better, actually, with her work.

Highly recommended.

8 of 9 people found the following review helpful.
A lyrical, if understandably biased, tribute to a great poet
By Anne McPhee
This translation of Matilde Urruita's memoir adds so much to the the canon of English language material about Pablo Neruda. Opening with the assassination of President Allende and Neruda's death, Urrutia in a series of flashbacks reveals her life with Neruda and his poetry. Indeed, there is a sense that the poetry had a life of its own; it certainly becomes a third "character" in this memoir.

There are moments when Uruttia threatens to overwhelm with overwrought sentimentality, but Uruttia (with no small assist from the translator, I'm certain) stops short. But all in all, it is a delightful book that chronicles a magic love affair.

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~ Fee Download Bootstrapping Democracy: Transforming Local Governance and Civil Society in Brazil, by Gianpaolo Baiocchi, Patrick Heller, Marcelo Silva

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Despite increasing interest in how involvement in local government can improve governance and lead to civic renewal, questions remain about participation's real impact. This book investigates participatory budgeting—a mainstay now of World Bank, UNDP, and USAID development programs—to ask whether its reforms truly make a difference in deepening democracy and empowering civil society. Looking closely at eight cities in Brazil, comparing those that carried out participatory budgeting reforms between 1997 and 2000 with those that did not, the authors examine whether and how institutional reforms take effect.

Bootstrapping Democracy highlights the importance of local-level innovations and democratic advances, charting a middle path between those who theorize that globalization hollows out democracy and those who celebrate globalization as a means of fostering democratic values. Uncovering the state's role in creating an "associational environment," it reveals the contradictory ways institutional reforms shape the democratic capabilities of civil society and how outcomes are conditioned by relations between the state and civil society.

• Sales Rank: #1323182 in Books
• Brand: Brand: Stanford University Press
• Published on: 2011-06-01
• Released on: 2011-06-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .50" w x 6.00" l, .70 pounds
• Binding: Paperback
• 224 pages

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Review
"Bootstrapping Democracy demonstrates the importance of ongoing experimentation as local governments and their civil society allies seek to deepen the quality of democratic institutions . . . Their research design, a paired case comparison, advances academic and policy debates on participatory democracy . . . The comparative approach used in this book makes it useful for both undergraduate and graduate courses."—Brian Wampler, Social Forces

"This is one of the better contributions concerning participatory democracy in Brazil to be published in recent years. What makes this better than other recent studies of grassroots democracy in Brazil is the closer analysis of the different ways that PB develops across cities. . . This is an accessible book, even when the authors are discussing jargon-laden democratic theory or comparing Brazilian experiences to similar experiments in India and South Africa."—B. P. Keating, Choice

"Insightful, subtle, and persuasively argued, Bootstrapping Democracy is a wonderful contribution to political theory and comparative politics. Writing on Brazil's two-decade-long experiment in participatory budgeting, Baiocchi, Heller, and Silva defend democracy's great promise: to turn citizens from clients into self-governing agents who, deploying their human powers, direct politics to a common good."—Joshua Cohen, Stanford University

"Baiocchi, Heller, and Silva go beyond examining the 'success' of participatory budgeting to assess its actual impact in terms of government services and the further development of civil society. This clear, original work fills a very large void and really is incomparable."—Philip Oxhorn, McGill University

"Bootstrapping Democracy is an exciting breath of fresh air in an era when the intellectual debate on how to construct effective democratic politics seems in danger of becoming sterile. Baiocchi, Heller, and Silva put an impressive set of empirical data together with an original theoretical perspective to create a positive thesis that should have a powerful invigorating impact on the democracy debate." —Peter Evans, University of California, Berkeley

About the Author
Gianpaolo Baiocchi is Associate Professor of Sociology at Brown University. He is the author of Militants and Citizens: The Politics of Participatory Democracy in Porto Alegre (Stanford University Press, 2005) and Radicals in Power: The Workers' Party and Experiments in Urban Democracy in Brazil(2003). Patrick Heller is Associate Professor of Sociology at Brown University. He is the coauthor of Social Democracy in the Global Periphery: Origins and Prospects (2007) and author of The Labor Development: Workers and the Transformation of Capitalism in Kerala, India (1999). Marcelo Kunrath Silva is Associate Professor of Sociology and Rural Sociology at the Federal University of Rio Grande do Sul, Brazil.

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0 of 0 people found the following review helpful.
I recommend this to anyone interested in participative democracy
By Cath Kan
Required much attention as political science/sociology are not disciplines in which I'm qualified and I'm unfamiliar with Brazilian politics, but my background as an economist helped with understanding the analytical approach. I recommend this to anyone interested in participative democracy.

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! Ebook Free Locating Capitalism in Time and Space: Global Restructurings, Politics, and IdentityFrom Brand: Stanford University Press

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The last several decades have witnessed major restructurings—economic, political, and cultural—in the international arena. The depth and scope of these changes have prompted anthropologists to rethink many of their most basic assumptions, to problematize issues that have long gone unexamined, and to grapple with new and unique problems. Doing so has left the discipline profoundly unsettled. Existing standards of scholarship and research methodologies have come under attack, key conceptual categories have been called into question, and truths once considered secure have been subjected to severe scrutiny and even ridicule.

Seizing upon the opportunity afforded by the contemporary conjuncture of disciplinary crisis and redefinition, this book raises questions about two interrelated aspects of historical process and academic production. The volume contributes to ongoing debates about the degree to which the developments of recent decades represent the advent of a new historical era, a rupture with the past that requires new conceptualizations and logics in order to be understood. In confronting this question, the contributors to this volume have assembled a range of materials that place the present period of reconstruction in the context of a broader history and geography of other, related restructurings.

Locating Capitalism in Time and Space also raises questions about the degree to which the scholarship of recent decades represents a qualitative break with that of the past. At issue here is whether one understands the history of academic production as a linear process of intellectual growth punctuated by major breakthroughs in understanding, or as a political process structured by the same kinds of inequalities and struggles that characterize the social worlds that are the object of anthropological analysis.

• Sales Rank: #12449878 in Books
• Brand: Brand: Stanford University Press
• Published on: 2002-01-02
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l,
• Binding: Hardcover
• 368 pages

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Review
“In assembling this book, which is a substantial contribution to anthropology, the editor has brought together a very impressive group of major scholars. His Introduction develops a new and important way of conceptualizing the history of anthropological theory.”—Gerald Sider, Graduate Center, CUNY

“This book is important reading to anyone concerned with topics of state, nationality and capitalism, and for those interested in the development of anthropological discourse on these subjects and in a processual sense.” —Canadian Review of Sociology and Anthropology

From the Inside Flap
The last several decades have witnessed major restructurings—economic, political, and cultural—in the international arena. The depth and scope of these changes have prompted anthropologists to rethink many of their most basic assumptions, to problematize issues that have long gone unexamined, and to grapple with new and unique problems. Doing so has left the discipline profoundly unsettled. Existing standards of scholarship and research methodologies have come under attack, key conceptual categories have been called into question, and truths once considered secure have been subjected to severe scrutiny and even ridicule.
Seizing upon the opportunity afforded by the contemporary conjuncture of disciplinary crisis and redefinition, this book raises questions about two interrelated aspects of historical process and academic production. The volume contributes to ongoing debates about the degree to which the developments of recent decades represent the advent of a new historical era, a rupture with the past that requires new conceptualizations and logics in order to be understood. In confronting this question, the contributors to this volume have assembled a range of materials that place the present period of reconstruction in the context of a broader history and geography of other, related restructurings.
Locating Capitalism in Time and Space also raises questions about the degree to which the scholarship of recent decades represents a qualitative break with that of the past. At issue here is whether one understands the history of academic production as a linear process of intellectual growth punctuated by major breakthroughs in understanding, or as a political process structured by the same kinds of inequalities and struggles that characterize the social worlds that are the object of anthropological analysis.

From the Back Cover
“In assembling this book, which is a substantial contribution to anthropology, the editor has brought together a very impressive group of major scholars. His Introduction develops a new and important way of conceptualizing the history of anthropological theory.”—Gerald Sider, Graduate Center, CUNY
“This book is important reading to anyone concerned with topics of state, nationality and capitalism, and for those interested in the development of anthropological discourse on these subjects and in a processual sense.” —Canadian Review of Sociology and Anthropology

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0 of 0 people found the following review helpful.
Insightful
By tyrell
Insightful discussion into the development field and the efforts to help the poor. Great read!

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In 1938 Random House published The Selected Poetry of Robinson Jeffers, a volume that would remain in print for more than fifty years. For decades it drew enough poets, students, and general readers to keep Jeffers—in spite of the almost total academic neglect that followed his fame in the 1920s and 1930s—a force in American poetry.

Now scholars are at last beginning to recognize that he created a significant alternative to the High Modernism of Pound, Eliot, and Stevens. Similarly, contemporary poets who have returned to the narrative poem acknowledge Jeffers to be a major poet, while those exploring California and the American West as literary regions have found in him a foundational figure. Moreover, Jeffers stands as a crucial precursor to contemporary attempts to rethink our practical, ethical, and spiritual obligations to the natural world and the environment.

These developments underscore the need for a new selected edition that would, like the 1938 volume, include the long narratives that were to Jeffers his major work, along with the more easily anthologized shorter poems. This new selected edition differs from its predecessor in several ways. When Jeffers shaped the 1938 Selected Poetry, he drew from his most productive period (1917-37), but his career was not over yet. In the quarter century that followed, four more volumes of his poetry were published. This new selected edition draws from these later volumes, and it includes a sampling of the poems Jeffers left unpublished, along with several prose pieces in which he reflects on his poetry and poetics.

This edition also adopts the texts of the recently completed The Collected Poetry of Robinson Jeffers (five volumes, Stanford, 1988-2000). When the poems were originally published, copy editors and typesetters adjusted Jeffers's punctuation, often obscuring the rhythm and pacing of what he actually wrote, and at points even obscuring meaning and nuance. This new selected edition, then, is a much broader, more accurate representation of Jeffers's career than the previous Selected Poetry.

Reviews of volumes in

The Collected Poetry of Robinson Jeffers

"A masterful job of contemporary scholarly editing, this book begins an edition intended to clarify a 'Jeffers canon,' establishing for times to come the verse legacy of a poet who looked on all things with the eyes of eternity."—San Francisco Chronicle

"This edition will be standard . . . a tribute and justice to a poet whose independent strength has survived to challenge personal and public canons."—Virginia Quarterly Review

"Jeffers is the last of the major poets of his generation—Frost, Stevens, Williams, Pound, Moore, Eliot—to get his collected poems. Now that the job is at hand, it is done very well. . . . Tim Hunt has been painstaking in his editorial preparation and judicious in his presentation. . . . A great poet is ready for his due."—Philadelphia Inquirer

"Few American poets are treated as well by publishers as Jeffers is by Stanford University Press. . . . These poems represent a distinctive voice in the American canon, and it is good to have them so wonderfully set forth."—Christian Century

• Sales Rank: #1887609 in Books
• Published on: 2002-04-01
• Original language: English
• Dimensions: 9.25" h x 1.90" w x 6.88" l, 3.00 pounds
• Binding: Hardcover
• 776 pages

From Publishers Weekly
In the 1920s, on the strength of Roan Stallion, Tamar and Other Poems, Jeffers's critical reputation rivaled those of Frost and Eliotwhile the relatively frank sexual material to be found in his long, rough-hewn, often Callifornia-based narratives didn't hurt his popular reputation, as Washington State University professor Hunt notes in his introduction. After hitting the cover of Time in 1935, Jeffers (1887-1962) made a selection from his work three years later for Random House, one that has been listed as "out of stock indefinitely" for the last few years. A much more modest Random selected edition published a few years after Jeffers's death remains in print in paper, but this huge selection, culled from the monumental five-volume collected edition Hunt has edited for Stanford, is much more comprehensive, and can claim improved textual accuracy. Hunt's edition strips the punctuation added by contemporary printers (which "often obscures the rhythm and pacing of what Jeffers actually wrote, and at points even obscures meaning and nuance") and includes a carefully weighed choice of long and short works, as well as unpublished work. Jeffers's serious and sometimes morally indignant parables have most recently been taken up by Dana Gioia and others as a bulwark against Pound-and-Eliot-line modernism. This new selection will get readers closer than ever to the poems as Jeffers himself saw them, reacquainting them with "the night-wind veering, the smell of the spilt wine," and allowing readers to place him on their own. (Apr. 26) Forecast: While this selection is clearly intended to replace the Random edition, some readers may still prefer the poet's own selection (which could be provoked back into print), though this set will now have the edge on syllabi and in libraries. Further Jeffers projects from Stanford include Volume Five of The Collected Poetry, which will complete the project, slated for August, and Stones of the Sur, a book of lush Carmel coast photos by Morley Baer matched with appropriate Jeffers poems, which arrives from the press in June ($60 160p ISBN 0-8047-3942-0).
Copyright 2001 Reed Business Information, Inc.

From Booklist
The somber and violent long-lined narratives of Robinson Jeffers remained so popular for so long that his Selected Poetry (1938) was in print for more than 50 years. It lacked any of the quarter-century's worth of poems Jeffers wrote after its publication, and even before it went out of print, Jeffers' reputation was reviving, thanks to younger poets who acknowledged his influence, such as Mark Jarman, and older poets of great prominence, such as Czeslaw Milosz, who testified to his power. Hence this volume that selects from all his work is most welcome. Besides poems from Jeffers' four post-1938 collections, five prose pieces Jeffers wrote about his poetry and 13 unpublished poems add nearly 200 pages to the size of the 1938 volume. The only significant works Hunt doesn't cull from are The Women at Point Sur (1927), the longest and, Hunt says, "most ambitious, complex, and difficult" of Jeffers' narratives, and the Euripidean adaptation, Medea (1946). A volume for the core of American literature collections. Ray Olson
Copyright © American Library Association. All rights reserved

Review
"Ultimately Jeffers poems are regenerative, inspired, dynamic, and transcendent, creating an evocative and richly rewarding, even visionary, immersion in the natural world that for all its verbosity makes the world tangible and restorative. As editor Tim Hunt observes, Jeffers's work demands more than just simple contemplation of nature, but rather 'identifying with it and recognizing one's final and inevitable participation in it.'"—Jeffery Beam, Oyster Boy Review

"[I]t is hard to see how anyone can read Jeffers's best poetry and not perceive greatness. His narrative verse rivals Wordsworth's or Byron's. It is electrifying; the skin prickles. . . . We will lose something of value if we let Jeffers slip away. He expresses California's peculiar ambience with unsurpassed vividness."—Los Angeles Times Book Review

"Tim Hunt, one of the nation's leading Jeffers scholars, has done a masterful job of sorting and choosing from a huge amount of material."—San Francisco Chronicle

"Most welcome . . . a volume for the core of American literature collections."—Booklist

"The little prose Jeffers wrote is of the highest quality and the best of it is fortunately included in the back of The Selected Poetry."—New York Review
"This is the second such collection. The first, from Random House in 1938, remained in print for more than 50 years. Hunt, editor of the five volumes of The Collected Poetry of Robinson Jeffers, now provides an excellent replacement."—Virginia Quarterly Review
"One of the major virtues of this selection is its appeal to ecologically-oriented readers. . . . From any critical angle or interest, this Selected Poetry is the best entry into Jeffers's major work."—ISLE
"No other American poet has so emphatically preached the saving graces of nature, from galaxies to granite. Jeffers is more than the consummate poet of California and the Pacific Ocean, as many East Coast literati have called him with condescension. He is a poet of transhuman beauty, of disturbing prophecy. Freed from the shackle of his narrative poems, he stands as the preeminent American poet of nature, ecology, and science . . . he is one of our most important writers."—Science Magazine

Most helpful customer reviews

47 of 48 people found the following review helpful.
A Carmel Poet
By Flounder
Robinson Jeffers is most often considered a minor figure in the twentieth century American literature canon. Countless instructors haven't even heard of him, but that is a shame. Some professors even skip the Jeffers section in American literature anthologies. With the publication of this long-awaited anthology (in paperback), there is plenty of evidence here to suggest that Jeffers is a major figure of influence.
Jeffers had a transcendental vision. He built a poet's niche in Carmel, where he commented on nature's cosmic cycles, its beauty and violence, which he saw as expressions of God's character. Jeffers was a poet of the Carmel landscape--weather worn granite, tumultous surf, birds of prey, twisted coastal cypress--he also approached descriptions of humanity's arrogance and weakness in light of its fascination with war, violence, and self-inscribed bloodshed. Jeffers espoused a poetic doctrine of Inhumanism, which was perhaps a reflection of his own personal misanthropy: humans are atoms to be split.
Some of my favorite poems are here: "Shine, Perishing Republic," "Boats in a Fog," "Carmel Point," "Divine Superfluous Beauty," "Tower Beyond Tragedy," "Bed by the Window," "Una," "The Deer Lay Down Their Bones," and even some of his last writing. I remember a certain Shakespeare class in which I read "Shine, Perishing Republic" on the day after the LA riots.
Robert Hass (UC Berkeley), C. Milosz (Emeritus, UC Berkeley), and William Everson have been poet champions of Jeffers' work. But one scholar, in particular, has dedicated his academic life to understanding that creative pulse, which inspired Jeffers to his pen. That notable scholar is Robert J. Brophy.
I highly recommend this anthology. I also recommend the scholarship of Robert Brophy. I can say with pleasure and esteem that I have benefited from his scholarship and literature courses at Cal State U., Long Beach. Bob Brophy introduced me to Jeffers (via a Jeffers course and a Tor House tour, 10/91); I have introduced Jeffers and his work to my own students, and I will forever be touched by his gentle, guiding hand.

10 of 10 people found the following review helpful.
A rugged poetry, reflecting the terrain
By Glynn Young
I have on my bookshelf “Can Poetry Save the Earth: A Field Guide to Nature Poems” (2010) by John Felsteiner. I found it in the gift shop at the Missouri Botanical Garden, in the “ecology and activism” section. It’s the kind of book I can’t read straight through. Too much of a fixation on a theme (especially a political theme) is a bit too much to take at once; it’s better consumed in small bites.

One of those bites was about a poet named Robinson Jeffers (1887-1962). In fact, references to Jeffers are sprinkled throughout the book, almost as much as those to Emily Dickinson and Robert Frost. (Surprisingly, Wendell Berry is mentioned only twice in almost 360 pages of text.) The chapter on Jeffers was intriguing enough to lead me to his “Selected Poetry,” first published in 1938 and republished in 2013.

This is a collection that’s not for the fainthearted. The first poem is “Tamar,” a narrative poem that occupies about 60 pages of the 600-page work. This is the poem, in fact, that established Jeffers as a major poet when it was first published in 1924. If you’re familiar with the novels of William Faulkner, especially “The Sound and the Fury,” then you will be familiar with some of the themes and ideas of “Tamar,” themes like violence, incest, and illicit love. To be fair to Jeffers, “Tamar” came before “The Sound and the Fury;” if there was influence involved, Then Faulkner was the one influenced.

“Selected Poems” contains several long poems, although none as long as “Tamar.” Long narrative poems require close reading; otherwise, you can lose the thread of the story. Most of the poems in the collection, however, are about nature, geography, topography, and the natural world. Here’s one example:
People And A Heron
A desert of weed and water-darkened stone under my western windows
The ebb lasted all afternoon,
And many pieces of humanity, men, women, and children, gathering shellfish,
Swarmed with voices of gulls the sea-breach.
At twilight they went off together, the verge was left vacant, an
evening heron
Bent broad wings over the black ebb,
And left me wondering why a lone bird was dearer to me that many people.
Well: rare is dear: but also I suppose
Well reconciled with the world but not with our own natures
we grudge to see them
Reflected on the world for a mirror.
As a child, Jeffers was trained in the Bible and theology; his father was a Presbyterian minister. Before he became a full-time poet, he tried his hand at a number of things. A volume of verse was published in 1916, but it was “Tamar” that established his reputation. He and his wife Una lived at Tor House in Carmel, California, and much of his poetry reflected the region.

He went into something of a poetic eclipse after World War II; his poetry was considered by some to be unpatriotic (the late 1940s and early 1950s were not a good time to be considered unpatriotic) and his philosophy seemed to advance the idea that the extinction of the human race might be a good thing. It was some time before he was discovered (or rediscovered) by the environmental movement, and today he is something of an environmental patron saint, just not as well known as Rachel Carson and John Muir. And thus his inclusion in “Can Poetry Save the Earth.”

Jeffers’ poetry is a rugged poetry, reflective of the terrain that figures so largely in his work. It might even be best read in a nature preserve, a national park, or someplace away from the noise of civilization, or perhaps overlooking the Pacific Ocean near Carmel.

15 of 17 people found the following review helpful.
timely
By dwain confer
Jeffers would not be surprised by the timeliness of his poetry as issues of globalization, war, terror, environmental carelessness, and hubris once again flood our daily lives. His poetry resonates with a distaste for the very "inhumanities"--though he would consider them wholly human--that have brought us to this state of the world. The endless cycle which he mentions so many time is repeating itself once again, and his wisdoms and voice are gathered into a wonderful collection of his finest poetry.

One reading Jeffers in search of hope for humanity will be sorely disappointed, as his inhumanism is present on every page. It is not hopeless, however; the beauty of nature and the wild god of the world persist despite man's best efforts to tame and abolish them. Poems like "Vulture" are the only glimmer of hope that Jeffers has for mankind: recognize our place in the world and embrace it. That is the ultimate existence.

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